One of the most interesting releases of the year has to come from LEANN RIMES.
Leann burst onto the scene with “Blue”, a song that had Patsy Cline’s name over it. It proved to be a great career song for young Leann. But the youngster obviously had bigger stars in her eyes. Whilst she has recorded some cracking traditional Country songs in her career, it safe to say that her style has, in the main, evolved into a style much more pop than Country.
She has come part of the way home, with “Lady & Gentlemen” (Curb/Rhino), a concept album that finds her covering big songs, made famous by some of the biggest male stars in Country music. I say part of the way, because the arrangements, at times veer more off to blues that Country, but I do feel that Leann’s vocals fit more comfortably that way. It’s a Leann Rimes album, not a Country album by Leann Rimes.
The bluesier numbers include “16 Tons”, which comes complete with a horn section, and Vince Gill’s “When I Call Your Name”.
Vince is one of the producers on the album, and his group The Time Jumpers play on the interesting new version of “Blue”. Her career song, is given a Texas Swing feel, and features some mean steel and twin fiddle.
The other songs that come over most Country are Merle’s “I Cant Be Myself”, John Conlee’s “Rose Coloured Glasses”, and she really does an outstanding rendition on George Jones’ “He Stopped Loving Her Today”.
She covers “Only Mama That’ll Walk The Line” and “Good Hearted Woman”, which have previously been “answered” in a female perspective by Jean Shepard and Connie Cato. But throughout the album, Leann has generally not changed the gender in the songs.
Other covers include John Anderson’s “Swinging”, which is also released as a single, Kristofferson’s “Help Me Make It Through The Night”, and a really slowed down version of The Hag’s “Tonight The Bottle Let Me Down”
The album also includes two bonus tracks, “Crazy Women”, a rather poppy recent single, and the ballad, “Give”, which she performed on the Songs Of Praise 50th Anniversary programme in October. Neither really fit into the concept of the album, and are really just extra tracks added in.
It’s a really strong album from Leann, and a good listen.
It’s 21 years since MARK CHESNUT first appeared on the Country charts with “Too Cold At Home”. He has is still having hits today, and they’re all captured on the new 2CD, 30 track “Ultimate Collection” released here on Humphead.
You’ll find all the biggies, including “Brother Jukebox”, “Bubba Shot The Jukebox”, “It Sure Is Monday”, “Goin’ Thru The Big D”, “Gonna Get a Life” , “It’s A Little Too Late”, and his Country version of “I Don’t Want To Miss A Thing”.
Mark is one of these guys who has consistently made good Country music through the years – one of hat acts that have stood the test of time.
Together with a 16 page booklet which includes all the lyrics, and a two page foreward by Alan Cackett, this is a great collection to get, if you’ve not picked up all of his albums.
TOBY KEITH has built up quite a following, some for his honky tonk leaning music, and some for his patriotism to his homeland. His latest album, “Clancy’s Tavern” (Humphead) was released to tie in with his visit here at the end of October. Unfortunately, the album release was so close to the tour that it didn’t help support the visit, but hopefully those that did catch him at The Usher Hall, will now buy the album.
The album is quite an interesting collection, and quite different from the material he was having hits with just a few years back.
After the patriotic “Made In America” kicks off the album, I skipped right into “I Need To Hear A Country Song”, and Toby delivers on this album.
The songs range from the catchy “Tryin’ To Fall In Love”, to the folksy title track, which was also released as a single. “Just Another Sundown” is a quiet ballad, whilst “Club Zydeco Moon” is quite a tale about a southern club. There’s more honky tonkin’ in “Beers Ago”, whilst “Red Solo Cup” is one of those fun numbers that just don’t fit into a Country album, but it’s fun and it’s Toby Keith, so what!.
The Deluxe edition also has 4 live cuts, including a good version of “Truck Drivin’ Man”.
I’ve never really got into Toby Keith over the years, but I really enjoyed this album.
Something different.
MARTINA MCBRIDE needs no introduction to readers, having amassed over 18 million album sales, and six Number Ones’s to date.
She has recently shifted labels, and her first album,“Eleven”, on Republic Records was recently released in the UK by Humphead.
Throughout the years, Martina has proved herself on particular songs, whilst others just seem to be pop numbers that are instantly forgettable. This album has more of the same.
“I’m Gonna Love You Through It” is a really strong ballad about a loved one fighting cancer at a young age. It’s a situation that many people face, and sharing the issue will do her credit.
Her Country credentials come to fore on “Teenage Daughters”. Martina co-wrote this parental anthem, and sounds very Loretta on the intro, before the song gets a bit poppy into the chorus.
She does a good romantic duet with Train’s Pat Monahan, and I really liked her ballads “Summer Of Love” and “Long Distance Lullaby”
If you’ve enjoyed Martina’s previous albums, you’ll want to get your hands on “Eleven”. She just doesn’t stand out of the pack of albums I was listening to this time around.
DAVID FRIZZELL, whilst a successful artist in his own right, is certainly doing his bit in keeping his brother, Lefty’s music alive.
On his latest CD “It’ll Be Alright” (Nashville America label), he features several of Lefty’s hits including an uptempo version of “Always Late” and “I Love You A Thousand Ways”. The album is billed as Frizzell & Friends, and friend Amy Clawson does her take on “If You Got The Money, I’ve Got The Time”.
There’s also a stunning duet with Georgette Jones on “Lefty & Jones”.
On his own songs, David shines on “Take My X-Wife Please”, and “Fill His Shoes” (a daddy song).
There are a few others featured on the record, including ex Statler Brother Jimmy Fortune and a few family members and newer names we may hear of in the future.
It’s good Country music.
Well worth checking out, if you like the traditional sound.
Coming home, we have a really enjoyable album from Elgin based IAN GREIG, who has just released his first album “Look For Me” on Manson Grant’s Pan Record label.
Ian had the idea of recording some of his favourite songs to leave for his grandchildren, and a conversation with Robert Cameron on The Dynamos in Aberdeen led to this album’s release.
It’s an unashamed piece of personal nostalgia, but it’s not an album of tired and overdone hits. The songs come from way back, but most have been long forgotten
We will recognise “My Dixie Darling”, “The Old Lamplighter” and Bill Clifton’s “You Go To Your Church”, but “I’ll Tell The World I Love You” isn’t one of Jim Reeves most obvious covers, nor is “You Cant Divide A Heart” from Willie Nelson’s pen.
From the opening track, “Let The Children Pick The Flowers”, originally done by Webb Pierce, through the catchy treatment of “Far Side Banks Of Jordan”, and the JFK sentiments of “The Emigrant”, I enjoyed every track.
His version of Chris LeDoux’s “Paint Me Back Home In Wyoming” is a beautiful part song/part narration, that really suits Ian’s deep voice.
Recorded in Wick, and Nashville, with musicians like Manson, Robert & Keith from The Dynamos, Phil Anderson, and Nashville pickers Glen Duncan, Hank Singer and Steve Hinson, the production is excellent.
It’s old fashioned country, which still has a huge following. Ian Greig does it really well.
www.panrecords.co.uk
Quite a few Irish releases recently, and topping the list is the latest from BRENDAN QUINN, who has had over 40 years in the business. His new album, “Gotta Get To You” sees him return to Emerald Records, the Belfast label, who were once the main label for Irish music.
Throughout the years, Brendan has sung a variety of material, from Faron Young covers, to Neil Diamond and John Prine. He continues to offer a wide variety of styles on this collection, covering a few rather more modern songs, than you would perhaps imagine Brendan to attempt. Examples include the opening “I Aint As Good As I Once Was”, which is better known as a Toby Keith hit, and Kenny Chesney’s “She Thinks My Tractor’s Sexy”.
He also covers Keith Whitley’s “When You Say Nothing At All”, and a few golden oldies like “Me & You & A Dog Named Boo”, “Seasons In The Sun” You’ve Got A Friend” and Crystal Gayle’s “Wrong Road Again”. They’re a few gems that are great to hear again.
“Congratulations”, was the lead off single from the album, and is quite catchy in Brendan’s own style. He includes “Glory Of True Love”, which has been a popular song in recent years for him.
I particularly enjoyed “Long Hard Road”, with it’s very simple arrangements, and his version of “A Little More Country”.
There’s also a very enjoyable narration on “The Night Hank Williams Died”, which is a well crafted tribute to a guy we all owe credit to.
All in all, a superb album from a guy that, despite his years in the business, can still move forward, without losing the past.
He has a DVD due for release before Christmas too. Look out for it.
Another new Irish release comes from the popular JOHN McNICHOLL.
His 6th album to date, “It’s Your Love” (Aran label) is quite an easy listening selection of songs. The title track is the Tim McGraw/Faith Hill number, and is probably the most up to date song on the album.
The album kicks off with his recent single, the sentimental, “Walk Down The Aisle With Me”, followed by the catchy “As Long As I Got You”, which features some nice fiddle. “Right In The Middle” is also a catchy fun number.
He covers Rodney Crowell’s “Even Cowgirls Get The Blues” and Keith Whitley’s “Don’t Close Your Eyes”
There’s a few Irish touches with “If We Only Had Old Ireland Over here” and a closing medley, which features “Mursheen Durkin“ and “Irish Rover” amongst others. There’s also a Don Gibson medley.
He adds a few gospel touches.with a nice version of “In The Garden”, and a very simple, but effective duet with Dana on “Softly & Tenderly”.
I also enjoyed “Nobody Knows”.
Quite a nice listen. I enjoyed this album.
TOM KEENAN is another Irishman with a new release, but the County Down singer songwriter, who has been playing locally for the past 20 years, has produced quite an ace for his debut album “The Devil’s Playground”.
The album was recorded in Los Angeles, and produced by legendary Pete Anderson, probably best known for producing Dwight Yoakam’s hits.
Two of the tracks come from Anderson’s pen, with “No One Left To Blame” having a Johnny Cash ring to it. “You’ve Got Me Wondering” has more of a Tex Mex feel to it.
Tom , himself wrote three of the songs, including the title track, which features a nice steel intro. “Because Of You”, which closes the project, has quite a Joe Ely feel to it.
Other tracks are covers, such as The Everly’s “So Sad To Watch Good Love Go Bad”, The Maverick’s “All You Ever Do Is Bring Me Down”, and “Charlie Walker’s “Pick Me Up On Your Way Down”.
I enjoyed the album, especially the original material.
Well worth a listen.
www.tomkeenan.co.uk
Another new album from the Emerald Isle is from a young man named DAVID CRAIG, from Inch Island off Donegal. For the past couple of years, he’s fronted the
“Cufflinks” band, and now launches his solo career with his debut 14 track album , “Good To See You” (Sharpe Music).
Like Tom, David is a songwriter too, and has 6 of his own compositions on the album. He does veer slightly more to the traditional Irish folk influenced sound, with the likes of “Leaving Home”, his wedding song, about the wishes of parents to their son. He then returns the compliment with the bouncy “Here’s To You Mum & Dad”.
“I’ll Keep The Candle Burning” is a sentimental ballad, featuring some nice harmony from Pamela Craig. He also ends the album with a sentimental poem about an alcoholic. With his Donegal brogue, he delivers it well. Poems set to music are rare these days. It’s a brave thing to do, but it works really well for David.
“He Answered My Prayers” is a good uptempo number that keeps the feet tapping, and I really enjoyed “Good Loud Country”, quite humorous, but at the same time, one we can all associate with.
There’s also a bouncy number “Why Does Her Memory Live On”, written by his manager Paddy Malloy.
Elsewhere, the album features Phil Coulter’s “Town I Loved So Well”, John Denver’s “Annie’s Song”, Tom T Hall’s “Promise & The Dream”, John Prine’s “Don’t Bury Me” and Eddy Raven’s “Cowboys Don’t Cry”.
David has captured a good mix on the album. Perhaps a shade more Irish than Country, but he does it really well. I really enjoyed the album.
HUGO DUNCAN does Country music proud with his daily afternoon radio show on BBC Ulster, and commands a huge following for his own performances. His own sound does have a bit more Showband sound than Country band, but that doesn’t seem to matter to his fans.
What he does is Good Happy music, with more than a bit of Country flavour within it.
His new album, “By Request” (CMR Records), features 15 tracks ranging from “Mockingbird Hill” and “Memories Are Made Of This” to “Help Me Make It Through The Night” and “Carolina Moon”.
The opening track, “On The Stage, Underneath The Lights”, written by Daniel O’Donnell , is just so right for Hugo. He’s a born entertainer, and that comes across on this record.
It’s great Middle of The Road easy listening music.
It seems years since FRANK McCAFFREY had a CD released. He was part of the old Ritz Records stable alongside Daniel, Dominic & Mary. His new album, “Here’s To You Ramblin’ Boy” is released on the Rosette label.
As ever, Frank has a soft easy listening sound to his music, and there’s no change to his style here.
The title, and opening track, comes from the pen of Tom Paxton. There’s also Jim Reeves and Willie Nelson covers, and a nice version of Graham Nash’s “Teach Your Children”.
There are Irish songs, including his version of the currently popular “Paddy” and “Come Back Paddy Reilly”.
Nice & relaxing.
JANE McNAMEE is one of the newer names on the Irish scene, and has recently released her second album, “How Do I Tell Them” (CMR).
She cites her influences as Crystal Gayle, Mary Black & Maura O’Connell, and she certainly fits into the simple acoustic and piano arrangements well.
Jane has a soft vocal style, which is better suited to some songs that others.
The album kicks off with “Dreaming My Dreams With You”, which works well, as does “How Do I Tell Them”, a song that she wrote herself. Her version of “A Tear Becomes A Rose” is really slowed down, with a very simple backing, which is quite effective. A similar arrangement is applied to “Love Letters”.
“Comfort In A Song”, was written by Charlie McGettigan, who duets on the song with Jane, and is probably the strongest song on the album.
She lifts the tempo with “My Mama Told Me” (The Clapping Son)”, a catchy little number, which is a previous single.
Although there are some nice Country numbers on this album, I picture Jane more at home in a lounge setting, than in a rowdy Country music club or concert setting.
MY DARLING CLEMENTINE is an interesting British duo, whose harmonies are to the fore on “How Do You Plead” (Drumfire).
The duo are Michael Weston King and Lou Dalgleish.
Michael has toured Country venues for many years, both solo and in The Good Sons, and Lou has been equally busy, having worked with the likes of Elvis Costello and Bryan Ferry, as well as recording 4 albums on her own.
Now the pair have got together to form a partnership that instantly conjures up labels like “Britain’s Gram & Emmylou”.
All 13 tracks are self penned, recorded in London, and feature some well renowned musicians, who have worked with the likes of Chris Hillman, Graham Parker, Nick Lowe, Van Morrison and Bill Wyman.
The themes running through the album include love, separation, bitterness and acrimony.
“100.000 Words” and “I Bought Some Roses”, are good catchy tongue in cheek numbers, whilst “Goodbye Week” has a strong Texas honky tonk sound, and there’s some nice fiddle on “Departure Lounge”.
“The Other Half” has a vintage feel, written by Lou, sounds right out of a Patsy Cline album. There’s also a very traditional feel to “Reserved For Me And You”.
I loved this album.
Great harmonies, simple arrangements. Superb.
DAVE MONTANA, from the North East Of England, is a popular attraction on the club scene across the UK, and from listening to his album, “Big Montana Sky”, I can see why.
This is his 6th album release since the 50 year old burst onto the scene ten years ago.
The album, recorded in Salisbury, features a good mix of modern Country covers from the likes of Blake Shelton, Brad Paisley, Neal McCoy and Tracy Lawrence.
Throughout the album, the production is first class.
There’s some nice uptempo banjo on “The Best Thing That I Had Goin’”, whilst he does a good version of “Someone Had To Teach You”.
The album closes with a beautiful 7 minute (almost) version of The Zack Brown Band’s “Free”. It really is quite an anthem.
Dave has a good modern sound, and has chosen songs from today’s biggest names, without going for the obvious covers. It worked.
www.davemontana.co.uk
I had the pleasure of meeting Australian KAREN LYNNE a good few years ago, when she visited Edinburgh. Her music has usually focussed on folksy ballads, and more recently bluegrass. But on her latest album, “Heart Songs Laugh Lines”, she describes herself as old fashioned Country, and what a joy it was to listen to.
With a lovely voice, and very simple arrangements, she begins with Carlene Carter’s “Unbreakable Heart”, before dueting with Randy Kolirs on The Louvins’ “Everytime You Leave”. I have to say their voices blend together beautifully.
She covers some more recent numbers, including Vince Gill’s “Jenny Dreams Of Trains”, George Strait’s “I Cross My Heart” and Leann womack’s “Why They Call It Falling”.
She crosses the commonwealth by covering Gordon Lightfoot’s “Dreamland” too.
“The Road That Brought Me Here” is a bit more uptempo. It’s a song, co-written by Karen & Alan Caswell, which takes a poke at the music business and it’s attitude towards women, but ended up being a personal life story. “Friends”, co-written by Joni Harms, which closes the album, is a bright & breezy number that really stands out.
Her rendition of “You Beat All I’ve Ever Seen” has a beautiful old time feel to it. It was written by Kathy Louvin, Kostas and Melba Montgomery. It’s one of my favourite tracks, as is “There For You”, another that Karen co-wrote with Alan Caswell.
Karen has nine albums to her credit, having tried to roll with the flow. This time around, she sounds at home with herself. She comes over strong in her conviction and comfortable with her material.
I really enjoyed this album. Totally refreshing.
CARRIE RODRIGUEZ is no stranger to Scotland, usually in the company of Chip Taylor. For her latest recording, has teamed up with Belfast born BEN KYLE, front man of Minneapolis based group Romantica.
It’s a strange combination for a Country album, but it works well on the eight track mini-album, titled “We Still Love Our Country” (Ninth Street Opus).
To be honest, although Carrie’s name is on the CD, it’s really Ben’s album, with Carrie providing harmonies.
The opening track, “Your Lonely Heart”, written by Ben, is really traditional Country, and I also enjoyed the honky tonk influenced “You’re Still On My Mind”.
Carrie’s vocals do feature predominantly in “Fire Alarm”, which was written by the pair.
They include a couple of covers including Townes Van Zante’s “If You Needed Me” , and The Bryant’s “Love Hurts”, as well as John Prine’s (and recorded by Gail Davies) “Unwed Fathers”.
Stand out track is the Louvin’s “My Baby’s Gone”, done in real Gram Parson’s/Emmylou style.
I was disappointed that (a) Carrie didn’t feature more on the album, and (b) there’s only eight tracks, but the quality of the music makes up for it.
We’ve a few albums from Canada this time around including a new offering from Celtic Connections visitors MADISON VIOLET.
They are Brenley MacEachern and Lisa MacIsaac, whose voices blend together beautifully. Lisa is the sister of fiddler Ashley MacIsaac, and Brenley boasts of coming from a Canadian “Scottish” town – Kincardine in Ontario,
“The Good In Goodbye” (True North) will be released here January 9th, to tie in with their Glasgow visit later in the month.
“Stuck In Love” is soft ballad which really shows off their harmonies, as is “Home”.
There are some neat bluegrassy touches throughout the album, most notably on “Goin’ Away”, and the breezy “Cindy Cindy”.
They really have a good sound. Catch them if you can.
LYNN MILES is one of Canada’s most accomplished singer songwriters having numerous awards and seven albums to her credit. Her latest, “Fall For Beauty” was released here to coincide with her visit for the Glasgow Americana Festival.
Whilst mainly steeped in Folk and Roots music, Lynn demonstrates a good voice throughout and quite a few tracks have Country influences.
“Fearless Heart”, for example has quite a breezy beat to it, and “Three Chords & The Truth” has quite an old timey feel. It’s not the old Sara Evans number, by the way.
This whole album is original self written numbers.
I also liked the haunting “Cracked & Broken”, and “Save Me”.
Lynn has a superb voice, much stronger than many singer-songwriters, and well worth checking out.
There’s a very wide array of Country music comes out of Canada. The latest group to watch are called NEW COUNTRY REHAB, a 4 piece outfit featuring experienced musicians in John Showman, who won the 2011 Cliff Top Fiddle competition in West Virginia, Ben Whiteley, James Robertson & Roman Tome.
Traditional they are not. They certainly have their own unique take on their songs, but the album is split between self penned material and Hank Williams covers like “Ramblin’ Man”, “The Log Train” and “Mind Your Own Business”. They also transform Bruce Springsteen’s “State Trooper”.
“The Log Train “ works really well, but “Mind Your Own Business” just doesn’t!
They have a superb instrumental in “Train 45”.
It’s certainly is quite an interesting album. They’re also coming in for Celtic Connections, so look out for them.
Canada, of course, has produced some wonderful musical folk songwriters, like Neil Young, Hank Snow and Gordon Lightfoot. I hear influences of all three in the latest album from Newfie JERRY LEGER.
“Travelling Grey” is Jerry’s fourth album, recorded in Toronto, and featuring 10 self penned tunes. It’s one of those albums, featuring stories, accompanied by simple arrangements. Unlike many singer-songwriters today, his voice fits the stories, in a Dylan or Young style.
“East Coast Queen” also has echoes of the legendary Stompin’ Tom Connors.
I particularly enjoyed the melodic “Dreamer Pretrender”, and the quicker paced title track.
It’s an interesting album. One that kinda goes back to the early singer songwriters golden era.
THE DEADLY GENTLEMEN are described as a new alt/bluegrass band, featuring former Crooked Still member Greg Liszt. The new album, “Carry Me To Home” released to coincide with a recent UK tour, features some bluegrass instrumentation, played in an alternative style.
I do feel that traditional bluegrass is quite sacred, and find it quite hard to accept arrangements that are quite far removed from traditional style. That’s just my opinion of course. The world moves on, and even the most traditional sounds cannot stay preserved forever.
There are some neat banjo, fiddle and mandolin licks throughout the album, and there are some fine harmonies, but in the main, the boundaries are being pushed to the limit.
“Take The Road Is Rocky”, is based on Bill Monroe’s “Rocky Road Blues”, but owes more to Bill Haley than Monroe, I’d say.
“Moonshiner”, which closes the album was the track that caught my attention most.
Finally, if you’re looking forward to seeing JOEY & RORY in Caithness next Easter, then you can also spend time with them this Christmas.
Their “A Farmhouse Christmas” album has been released in the UK by Vanguard Records, featuring some classic, and some new material.
The album kicks off with Rory’s “It’s Christmas Time”, an acoustic look at the most popular of seasons, and ends with “Another Wonderful Christmas”, which kinda sums up everyone’s anticlimax of the big day.
“Remember Me”, is about remembering the true Christmas story, which is often lost in today’s commercial world.
“Let It Snow (Somewhere Else)” is a fun number, sung by Rory, from being in a beach paradise at Christmas, and not missing Christmas snow one bit.
Covers include a lovely version of “The Gift”, “Blue Christmas” and “Away In A Manger”.
There’s a special treat in store on their cover of “If We Make It Through December”. No less than Merle Haggard turns up.
“The Diamond O”, written by Stephanie Davis, stood out for me.
As Christmas albums go, I kinda liked this one. It’s more of a tongue in cheek look at Christmas, which appealed to my sense of humour.
Be rest assured, they wont be singing any of the tracks from this album in Caithness. Best to get a copy now.
Merry Christmas !
Tuesday, 29 November 2011
Tuesday, 4 October 2011
Oct 2011
Good to see quite a few homegrown recordings appearing on my CD player.
ROCKIN HORSE, led by George Inglis, has been building up quite a reputation from their Borders base over the past few years. Their music is at the more traditional end of the scene, and original, at the same time.
“Barstool Cowboy” features 10 originals from George’s own pen.
The title track, is a popular song already on the linedance floors, but there’s also a good tribute to the “Man In Black”.
There’s also a catchy beat to the latest single, “Catch A Train”, and “Children Og The Sixties” has quite a nostalgic feel to it.
I also enjoyed “Still Think I’m Gonna Win” quite an uptempo number, and the catchy “Smoke Filled Room”, before the album closes with the “Rockabilly Ball”.
I really enjoyed this album. Quite a diverse choice of material.
Staying with the homegrown acts, I was very impressed with an album from RAINTOWN, They are Glasgow based duo Paul Bain & Claire McArthur, but have a definate modern Nashville approach to their music.
Indeed they have been called “The UK’s Lady Antebellum”, and were given rave reviews from former 3C, now Voice Of Country host Pat Geary, after they appeared at the CMA Global Artist Party in Nashville.
“Hope In Troubled Times” is their debut album, which is an all original affair. All the songs have been written by the couple and Greg Friel.
They have already achieved quite a bit of success with two radio singles “Picture Of Us” and “Just One Kiss”
“What Matters Most”, “Light The Fuse Up” and “Loves Got A Hold On You” are particularly catchy upbeat radio friendly songs .
“The Road Never Ends” sounds quite loud, but has a good beat, and I liked it at lot.
I also liked the title track.
They also feature a couple of well crafted ballads, including the very strong “Falling Backwards” “I Wont Dance Alone”and “The Last Song”.
It’s not too often Scots can show their stuff in Music City.
Check them out : www.raintownmusic.com
Crossing the country now, where Edinburgh’s THE SUNSHINE DELAY have built up quite a following with their “Alt-Country” sound over the past ten years. The Sunshine Delay, are Paula McKee, David McKee, Iain Barbour and Brendan O’Brien.
This month, they release their second album “Keep It Together” (Wrong Train) , and it features a strong selection of their original material.
The album kicks off with the strong tempo-ed “Last Generation To Die” which should do well on radio. Other uptempo numbers are the racey “Leaving Song”, and the catchy “On Our Own”.
Of the slower tracks, “Roll Off The Treble”, led by David works well
Other ballads include “Slow Day For Love”, “Angels Share” and “Don’t Have The Heart”.
It’s an interesting selection of songs, well produced and performed.
They should win many new fans with this collection.
www.sunshinedelay.com
YARD OF ALE are a Fife based folk band, who have been on the scene since 1972. They’ve been a various TV shows, including New Faces & Thingnmmyjig.. The current line up features Colin McKenzie, Alastair McDougald and Peter Gillan.
Although a folk band, there’s a lot of Country interest on their new album “Tracks From The Shack”.
The 12 track collection, recorded at The Shanty Shack in Aberdour, features songs from Steve Earle (Galway Girl & The Mountain), Buddy Mondlock (Coming Down In The Rain), Steve Goodman (City Of New Orleans) and Rick Nelson (Garden Party).
Dave Smith , from Grass Routes (and ex Peacemakers/ Scots Country Comfort) adds pedal steel to “Flower In The Snow”. There’s also a good version of “Wagon Wheel”. And I liked the catchy original “Lay Our Money Down”.
Yard Of Ale may be a folk band, but they have a sound that blends into Country quite nicely.
www.yardofale.net
Heading up our Nashville releases this time, is BLAKE SHELTON, who is no stranger to readers. The current CMA Male Vocalist, and five time nominee for this years awards, who has a string of hits, returns with “Red River Blue” (Hump Head).
There’s quite a mix of styles on the album, which kicks off with the first single, and rather sugary “Honey Bee”. In a similar poppy vein is “Get Some”.
The main Country tracks are the catchy “Good Ol’ Boys” and “Ready To Roll”, and the familiar themed “Sunny In Seattle” (Think “Til It Snows in Mexico” or “Ocean Front Property”)
Of the softer ballads, “Drink On It” and the title track, which close the album, work quite well.
Produced by Scott Hendricks, the album features 11 tracks, and features the writing of the likes of Craig Wiseman, Jon Randell , Jessie Alexander, Chris DuBois, Dallas Davidson.
A good listen, if you enjoy current American Country chart music.
TRACE ADKINS has also been part of the Country scene for a number of years, without getting too much recognition over here. But thanks to HumpHead, his latest album, “Proud To Be Here” gets a UK release.
The album begins quite mellow, with the title track and songs like “Days Like This” and the traditional Daddy and Daughter themed “Just Fishin’, before getting into his rather rocky trademark style on “It’s A Women Thing”.
The album’s high spot comes in the form of “The Poor Folks”, a really strong Country song, and the album officially closes with a lovely ballad in “Always Gonna Be That Way”.
The Deluxe Edition features a further four songs, including a rather unconvincing duet with Kenny Chesney, although the ballad “Semper Fi” is worth listening to the end for.
Another strong Nashville album.
Texas born RONNIE DUNN has already had a less than successful shot at solo stardom, but 27 years after he had two singles which didn’t even make the Top 50, he’s back with a self titled album (released here on Humphead), which will surely ensure more success second time around . Of course, in between times, he was one half of the mega duo, Brook & Dunn. (Incidentally Ronnie had slightly more success as a solo artist than Kix Books had back in the 80’s).
If you liked the Brook & Dunn sound, then, you’ll enjoy this album. There’s not a big difference in the sound he sends out here, to what we’re used to as a duo.
Biggest difference would be the Tex Mex flavoured “How Far Is Waco”, which sounds more like a Raul Malo number, but works well for him here.
He kicks off with a rather rocky “Singer In A Country Band”, and there are other quite rocky influences on tracks like “Let The Cowboy Rock”
But he can be a romantic as well, with “Your Kind Of Love”, “Last Love I’m Tryin’”, “I Cant Help Myself” and the closing ballad “Love Owes Me One”.
And I quite liked the ballad “Cost Of Livin’”, which we’ll all appreciate the message.
It’s a good strong Brook & Dunn sound, just with Ronnie Dunn.
Worth a listen.
RICKY SKAGGS had a string of Number one hits back in the 1980’s, but is still one of the hardest working guys around. He’s always been a bluegrass pioneer, and was taking bluegrass mainstream long before The Soggy Bottom Boys.
His new album “Country Hits Bluegrass Style” (Skaggs Family Records) revisits his big hits and gives them a slightly new twist.
The album kicks off with “Heartbroke”, “Honey Open That Door”, and goes on through “Cajun Moon”, “Highway 40 Blues”, “Uncle Pen” , “Country Boy”, “I Wouldn’t Change You If I Could”, and more. 17 tracks in all.
I don’t know what I was expecting, but, if I had one complaint, it’s that these versions aren’t significantly different to the originals. But then, Ricky has always had that Bluegrass vibe in his sound. It was great to hear all these songs again in one package again.
One of the most Country debuts I’ve enjoyed for a long time comes from a lady from Missouri called TEEA GOANS. Her album “The Way I Remember It” (Crosswind label) is such a beautiful collection of Country songs sung in the way we grew up to be Country music fans with.
There’s no over production, just simple arrangements and a lovely vocal style that’s never stretched . On some tracks she reminded me of a very early Reba, on others, there’s a Lee Ann Womack influence. Whatever way, Teea has a lovely vocal style.
She grew up listening to the Opry, and even did her 4th Grade project on the Country music church. Naturally, she found herself in Nashville, and got a job at WSM. For the past couple of years, she’s presented “Inside The Opry Circle” on the station, giving listeners an Access All areas backstage pass, which aired between the two live Opry shows on Saturday nights.
The Opry is certainly in her blood, and with an album like this, it’s only a matter of time before she’s a regular out front stage too.
Many of the songs are familiar, like Willie Nelson’s I’m Still Not Over You”, Ernest Tubb’s “Walking The Floor Over You”, Bill Anderson’s “Walk Out Backwards” and Haggard’s “I Didn’t Mean To Love You”. Others, from the pens of Jim Owen, Angela Kaset and Hank Cochran, and Dan Tyminski dueting on “Made For Lovin’ You”, all add up to a wonderful stone Country album.
The lead off single, Letter From God”, is a good strong sentimental ballad, but it just didn’t prepare me for just how much I was going to enjoy this 100% pure Country album.
The Opry will always live on as long as youngsters like Teea are around.
www.teeagoans.com
Recent UK visitor SUZY BOGGUSS has been part of the Nashville Country scene since she first charted in 1987. Before that she built up a following playing coffee houses, and a season at Dollywood where she plugged her first self released album.
That album, affectionately called “The Dollywood Tape”, portrayed Suzy as a singer with some folksy influences.
For her new album, “American Folk Songbook”, she has went back to her roots, and covererd 17 songs, from quite a broad cross section of the American folk music scene.
There are traditional numbers like “Shenendoah”, and “Red River Valley”, the bluegrassy “Shady Grove” and “Wayfaring Stranger” and childhood memories in ”Froggy Went A Courtin’” .
She comes more up to date with an interesting version of “Banks Of The Ohio” , and livens things up on “Old Dan Tucker”, and even takes on the “Rock Island Line”.
All the songs are done in a beautiful simple style, and have to say Suzy really suits this style.
When GENE WATSON was over at Easter, he told everyone about his forthcoming duet album with bluegrass queen RHONDA VINCENT. Well,“You’re Money And My Good Looks” (UM) has arrived, and it certainly was worth the wait.
Their voices work well together, in a way that Country music has never heard since Conway & Loretta. The songs mainly feature vocals, line about, in a kinda talkback style, but when they do show their harmonies, on tracks like Cathy Gosdin’s “Til The End”, they make beautiful music together.
I especially liked their version of the catchy “Sweet Thing” written by Nat Stuckey, the slow “Gone For Good”, “You Could Know As Much About A Stranger” and “It Aint Nothin’ New”, and they do a really first class job on Hank’s “My Sweet Love Aint Around” too.
The album carries a warning – “Contains REAL Country Music”, and carries a quote from George Jones saying “This Is the REAL DEAL”.
I cant argue with that.
First class. Next time you come to Scotland Gene, bring Rhonda with you!
The album isn’t released here but you can get it from various Country music stores here, and online.
It’s ten years since George Clooney starred in the southern downhome classic film “OH BROTHER, WHERE ART THOU”. Despite raising little interest from American Country radio, the film’s soundtrack is the biggest selling soundtrack of the 21st Century, with more than nine million albums sold.
To mark the 10th Anniversary, a deluxe edition of the album has been released, and it features a whole new CD of material recorded at the time, that didn’t make the original score.
The new material includes classics like “You Are My Sunshine” from Alan O’Bryant, “I’ll Fly Away” from The Kossy Sisters and “Keep On The Sunny Side” with The Cox Family. There’s also recently departed Harley Allen’s version of “In The Jailhouse Now”.
Of course, the memories of Soggy Bottom Boys are relived on Disc 1, with songs like “Man Of Constant Sorrow” and Alison Krauss’s haunting “Down To The River To Pray”.
I’m not a film buff, but I have watched “Oh Brother” several times. It’s great to relive the music on this deluxe reissue.
ERIC CHURCH has made quite an impact on the American scene since he first appeared on the charts five years ago. He still remains relatively unknown on this side of the Atlantic, however the release of his third album, “Chief” by Humphead Records should help change that.
This album lets Church explore his own writing a bit more than perhaps he has done previously. He has co-written ten of the eleven tracks on the album, produced by his guitarist and dobro player. Jay Joyce.
Church has fallen into Hank Jr’s Rowdy friends mould, and whilst there’s still evidence of that here, he has mellowed on tracks like “Springsteen”, as he tells of how music brings back memories, or the rather slower “Like Jesus Does”. He also performs a rather sentimental family number on “Homeboy”.
“Jack Daniels” isn’t too rocky, but does come over as a hangover song. Then there is “Hungover And Hard Up”, which some fans may associate themselves with.
“Country Music Jesus” did catch my ear. It is a bit rowdy, but, by the same token has some catchy banjo in there too.
Eric Church certainly isn’t run of the mill Music City. His music certainly has an edge. He wont appeal to all tastes, but if you enjoy Waylon and Hank Jr, you should check him out.
As far as living legends go, 74 year old MERLE HAGGARD is one of Country’s greatest. Since he first charted 48 years ago, the Bakersfield boy has continued to create and impress with his music.
His latest album, “Working In Tennessee”, released October 3rd on Vanguard Records, will be one of the year’s most iconic releases.
The album, his second for Vanguard, features many self penned Hag originals, with a reworking of “Working Man Blues” with his son Ben, and Willie Nelson. There’s also two Johnny Cash covers, a catchy “Cocaine Blues” and an authentic “Jackson”, with wife Teresa.
Throughout the years, Merle has used his songs to speak out against the establishment, and he’s not giving up now. “What I Hate” is aimed at everyone from politicians to road construction workers. He also puts himself in the position of being laid off work after years of employment in “Under The Bridge”
His relationship with Nashville has never been straightforward, so his opening swing number, “Working In Tennessee”, running just over 2 minutes long, perhaps takes a swipe at the Music City, with lines like “Wound Up working at Opryland!”
“Sometimes I Dream” , co-written with his daughter, Jenessa, is a particularly catchy number, which I enjoyed.
I enjoyed the whole album. It’s great to hear The Hag still sounding so good!
LUKE BRYANT is another name who has made it in America, without much impact here, and again Humphead aim to change that with the release of “Tailgates & Tanlines”.
The son of a peanut farmer burst onto the scene in 2007, and has a string of hits from his first two albums, including “Country Man”, “All My Friends Say” and “Doin’ My Thing”.
This is his third album, and kicks off with the rather sexist and immature, “Country Girl (Shake It For Me)”. Despite being a huge American hit, it doesn’t impress this Country boy!
It just sounds like a beach party number to me.
The theme carries on, with “Drunk On Me” featuring lines like “ you’re a 9.9”, “that sort of thing makes a man go mmm hmmm”. Really clever words!
The album does improve thankfully.
I did quite like the uptempo “I Don’t Want This Night To End” and the midtempo “Tailgate Blues”.
It’s modern Country music. It may get lots of American radio play, but I cant see Luke making much impact here.
Austin based RITA HOSKING received her rave reviews for her last album, ”Come Sunrise”, and won the Best Country Album Vox Pop at the 2010 Independent Music Awards.
Now she’s back with an all original set of songs on her new album “Burn” released to coincide with a UK tour that brings her to Glasgow’s Mono Café Bar on Wednesday October 12th.
The album kicks off with the lyrics, “ I wanna write you a pretty love song, like Van Morrison or Johnny and June”. I’m not sure if she manages that, but she does deliver a good set of songs.
“When Miners Sang” tells of the coal towns, whilst “Ballad For The Gulf Of Mexico” tells of the wealth from the oil industry. She reaches into rural America on “Indian Giver” and “Coytote”
“Dishes” is one of the most uptempo numbers on the album, although I never thought I’d hear a song inspired by sinkful’s of dirty plates..
Rita has a variety of subjects, and tells her tales well.
She’s well worth checking out !.
KRISTI KAYLIN is pure Texas Country magic. Her Single “My Heart Has Swinging Doors” was a great introduction to her.
Now the album, “It’s Not Over” is even better. With Texas swing numbers like “Cowboys Love Texas” , “I Just Get Leavin”, “When You Said I Do” and Country ballads like “Short Memory” and “Love Me Like The Whiskey” and “Everytime I Think It’s Over”, Kristi really shows just how good Texas music is these days.
She comes over as a Connie Smith, Barbara Mandrell, or even early Reba in her vocal style.
The Western swing numbers are certainly her biggest asset. She performs them with fun and conviction,
I loved this album.
http://www.kristikalyn.com/
I had the pleasure of meeting Austin based BARBARA NESBITT during her recent Scottish tour. The Georgia native got to the Texas musical capital via Virginia and San Diego, where she really honed her craft, and, indeed recorded her album, “The Bees”.
Barbara wrote all but one of the 13 tracks, the exception being a beautiful version of “Like Strangers”, which works well with her vocal style.
The album kicks off with the invitation to “Come To Find Out”. The track, which many a Nashville based songstress would be interested in, and certainly entices the listener into hearing more.
“Losin’ Time” is a good uptempo number, whilst “Good For Something”, features some lovely steel from Doug Pettibone. “Where You Go” has a nice banjo intro
I also liked the heartfelt, “Message To You” and “When Summer Is Over”.
Whilst certainly a songwriters album, Barbara has a good strong voice, with a hint of huskiness, which emphasises the songs nicely.
Hopefully, it wont be too long before she’s back over this side of the Atlantic.
www.barbaranesbitt.com
GEORGE STRAIT recently marked the 30th Anniversary of his first album release, with the release of his 39th studio album. “Here For A Good Time” is released here on the Humphead label.
After all that time, he knows what his audience wants, and knows how to deliver.
Yet, his sound has never sound tired.
George continues his writing, which he has been developing over recent albums. He has co-written seven of the eleven tracks with son Bubba, and longtime writer friend Dean Dillon.
The tracks include the catchy title track, the slower soul searching “Drinkin’ Man”, and “Three Nails & A Cross”, which does sound rather inspired by Randy Travis’ “Three Wooden Crosses”.
The strongest track to my ears, the old Delbert McClinton number, “Lone Star Blues”, which George really brings some energy to. He also covers the slow “A Showman’s Life”, written by Jesse Winchester, and features Faith Hill on harmony vocals.
The album closes with a rather retrospective look back at his career, and although he does claim “I’m Not Through By Any Means”, this song really sounds like his swansong. If he were to retire tomorrow, it would be a fitting farewell.
I don’t think it will be. I think George Strait could go on forever.
Only one Canadian release this time around, which comes from CATHERINE MACLELLAN.
I wasn’t familiar with Catherine, until I had listened through her album, “Silhouette” (True North Records), and reached the second last track It was a really slowed down version of “Snowbird”, a huge hit, of course, for Anne Murray, written by the late Gene MacLellan- Catherine’s father.
Although a very different version to the original, she made the song her own.
Catherine has certainly followed her father’s footsteps by going into songwriting.
The songs on the album, are both haunting and exhilarating.
I think “Same Way Again” is probably mny favourite. It has a simple folksy feel to it.
“Old Tin Can” has a quaint bluesy influence, and the opening track, “Stealin” has a good beat to it. “Eastern Girl”, which could be autobiographical, and self explanetary.
The album was recorded in a secluded cabin in Prince Edward Island.
She’ll be in Glasgow at Bar Brel on 18th November.
www.CatherineMacLellan.com
The thriving Irish scene has constantly brought us new talent, and the latest is 25 year old Ballymonet Country Boy , ALASTAIR COYLES, whose album “If Teardrops Were Pennies” has recently hit the airwaves.
And ideal for radio play it is. A good clean recording, which makes even the well covered classics sound refreshed.
Yes, there are a few over recorded numbers, like “Coat Of Many Colours” and “One Day At A Time”, and a couple of Irish numbers like “Roslare Harbour” and “Connermara Marble Ring”, but Alastair does them really well.
He pays tribute to one of his heroes in “Big Tom Is Still The King”, and features a really strong version of “Far Side Bank Of Jordan”.
He also covers songs by Irish writers Henry McMahon and Jimmy Buckley.
Despite lacking in originality, Alastair has recorded a really enjoyable album.
www. Alastaircoyles.co.uk
As far as Irish musical legends go, you have to admire MARGO O’DONNELL.
Who knows, maybe if Margo hadn’t already been an established artist, her young brother may never have got his break.
She’s made many friends over the years, and features some of them on a new “Margo & Friends” collection. (Arran label). The recordings are a collections of duets that Margo has recorded over the years, with the likes of Dolly Parton, Maura O’Connell, Joe McShane, Isla Grant, Philomena Begley, Larry Cunningham, John McNichol, and, of course, Daniel.
Margo has also released a single, “The Missing Mary Boyle”, about a six year old girl, who Margo had known, who disappeared in Donegal 34 years ago- Ireland’s longest missing person case.
www.margoodonnell.com
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SOCIETY are a West Sussex based trio of Country rockers, heavily influenced by the Eagles West Coast sound, who have just released their second album, “A Crooked Mile”.
Matt Wise, Ben Lancaster and F.Scott Kenny formed the group in 2004, and wanted the album to reflect all things West Coast America, and they have quite definitely succeeded, with an album of original songs.
From the opening harmonica on “Wheels A Turning”, through the spring in your step “Roll Home Sweetheart”, the slower “Davey”, to the heavier “Martyr’s Avenue”, which closes the album , their three part harmonies really come over well.
I really enjoyed the album, West Coast music from West Sussex. It works well.
www.myspace.com/societymusic
Finally, a couple of Irish released singles, from girls with Glasgow connections.
LISA McHUGH has really established herself in the past year with her “Old Fashioned Girl” album. Such is her popularity, she has moved from Glasgow to Donegal, and is now billed as “Ireland’s Sweetheart Of Country Music”.
Her new single is “Court Of Love”, a bright and breezy number, written by Canadian Mike O’Reilly, and previously covered by Rhonda Vincent. She does a great job on it.
Meanwhile another Donegal lass, who went to college in Glasgow, is JACQUI SHARKEY. Jacqui’s debut album “A New Dawn” has really caught fans attention, and she has now released a self penned single, “If I Had You”. Jacqui has a lovely deep vocal style, kinda like Anne Murray, and this lovely song is the type of number you would hear Anne singing. Nice job.
Two girls, with similar journeys, and very different styles, both both coming out winners. Both are available through I-Tunes etc.
ROCKIN HORSE, led by George Inglis, has been building up quite a reputation from their Borders base over the past few years. Their music is at the more traditional end of the scene, and original, at the same time.
“Barstool Cowboy” features 10 originals from George’s own pen.
The title track, is a popular song already on the linedance floors, but there’s also a good tribute to the “Man In Black”.
There’s also a catchy beat to the latest single, “Catch A Train”, and “Children Og The Sixties” has quite a nostalgic feel to it.
I also enjoyed “Still Think I’m Gonna Win” quite an uptempo number, and the catchy “Smoke Filled Room”, before the album closes with the “Rockabilly Ball”.
I really enjoyed this album. Quite a diverse choice of material.
Staying with the homegrown acts, I was very impressed with an album from RAINTOWN, They are Glasgow based duo Paul Bain & Claire McArthur, but have a definate modern Nashville approach to their music.
Indeed they have been called “The UK’s Lady Antebellum”, and were given rave reviews from former 3C, now Voice Of Country host Pat Geary, after they appeared at the CMA Global Artist Party in Nashville.
“Hope In Troubled Times” is their debut album, which is an all original affair. All the songs have been written by the couple and Greg Friel.
They have already achieved quite a bit of success with two radio singles “Picture Of Us” and “Just One Kiss”
“What Matters Most”, “Light The Fuse Up” and “Loves Got A Hold On You” are particularly catchy upbeat radio friendly songs .
“The Road Never Ends” sounds quite loud, but has a good beat, and I liked it at lot.
I also liked the title track.
They also feature a couple of well crafted ballads, including the very strong “Falling Backwards” “I Wont Dance Alone”and “The Last Song”.
It’s not too often Scots can show their stuff in Music City.
Check them out : www.raintownmusic.com
Crossing the country now, where Edinburgh’s THE SUNSHINE DELAY have built up quite a following with their “Alt-Country” sound over the past ten years. The Sunshine Delay, are Paula McKee, David McKee, Iain Barbour and Brendan O’Brien.
This month, they release their second album “Keep It Together” (Wrong Train) , and it features a strong selection of their original material.
The album kicks off with the strong tempo-ed “Last Generation To Die” which should do well on radio. Other uptempo numbers are the racey “Leaving Song”, and the catchy “On Our Own”.
Of the slower tracks, “Roll Off The Treble”, led by David works well
Other ballads include “Slow Day For Love”, “Angels Share” and “Don’t Have The Heart”.
It’s an interesting selection of songs, well produced and performed.
They should win many new fans with this collection.
www.sunshinedelay.com
YARD OF ALE are a Fife based folk band, who have been on the scene since 1972. They’ve been a various TV shows, including New Faces & Thingnmmyjig.. The current line up features Colin McKenzie, Alastair McDougald and Peter Gillan.
Although a folk band, there’s a lot of Country interest on their new album “Tracks From The Shack”.
The 12 track collection, recorded at The Shanty Shack in Aberdour, features songs from Steve Earle (Galway Girl & The Mountain), Buddy Mondlock (Coming Down In The Rain), Steve Goodman (City Of New Orleans) and Rick Nelson (Garden Party).
Dave Smith , from Grass Routes (and ex Peacemakers/ Scots Country Comfort) adds pedal steel to “Flower In The Snow”. There’s also a good version of “Wagon Wheel”. And I liked the catchy original “Lay Our Money Down”.
Yard Of Ale may be a folk band, but they have a sound that blends into Country quite nicely.
www.yardofale.net
Heading up our Nashville releases this time, is BLAKE SHELTON, who is no stranger to readers. The current CMA Male Vocalist, and five time nominee for this years awards, who has a string of hits, returns with “Red River Blue” (Hump Head).
There’s quite a mix of styles on the album, which kicks off with the first single, and rather sugary “Honey Bee”. In a similar poppy vein is “Get Some”.
The main Country tracks are the catchy “Good Ol’ Boys” and “Ready To Roll”, and the familiar themed “Sunny In Seattle” (Think “Til It Snows in Mexico” or “Ocean Front Property”)
Of the softer ballads, “Drink On It” and the title track, which close the album, work quite well.
Produced by Scott Hendricks, the album features 11 tracks, and features the writing of the likes of Craig Wiseman, Jon Randell , Jessie Alexander, Chris DuBois, Dallas Davidson.
A good listen, if you enjoy current American Country chart music.
TRACE ADKINS has also been part of the Country scene for a number of years, without getting too much recognition over here. But thanks to HumpHead, his latest album, “Proud To Be Here” gets a UK release.
The album begins quite mellow, with the title track and songs like “Days Like This” and the traditional Daddy and Daughter themed “Just Fishin’, before getting into his rather rocky trademark style on “It’s A Women Thing”.
The album’s high spot comes in the form of “The Poor Folks”, a really strong Country song, and the album officially closes with a lovely ballad in “Always Gonna Be That Way”.
The Deluxe Edition features a further four songs, including a rather unconvincing duet with Kenny Chesney, although the ballad “Semper Fi” is worth listening to the end for.
Another strong Nashville album.
Texas born RONNIE DUNN has already had a less than successful shot at solo stardom, but 27 years after he had two singles which didn’t even make the Top 50, he’s back with a self titled album (released here on Humphead), which will surely ensure more success second time around . Of course, in between times, he was one half of the mega duo, Brook & Dunn. (Incidentally Ronnie had slightly more success as a solo artist than Kix Books had back in the 80’s).
If you liked the Brook & Dunn sound, then, you’ll enjoy this album. There’s not a big difference in the sound he sends out here, to what we’re used to as a duo.
Biggest difference would be the Tex Mex flavoured “How Far Is Waco”, which sounds more like a Raul Malo number, but works well for him here.
He kicks off with a rather rocky “Singer In A Country Band”, and there are other quite rocky influences on tracks like “Let The Cowboy Rock”
But he can be a romantic as well, with “Your Kind Of Love”, “Last Love I’m Tryin’”, “I Cant Help Myself” and the closing ballad “Love Owes Me One”.
And I quite liked the ballad “Cost Of Livin’”, which we’ll all appreciate the message.
It’s a good strong Brook & Dunn sound, just with Ronnie Dunn.
Worth a listen.
RICKY SKAGGS had a string of Number one hits back in the 1980’s, but is still one of the hardest working guys around. He’s always been a bluegrass pioneer, and was taking bluegrass mainstream long before The Soggy Bottom Boys.
His new album “Country Hits Bluegrass Style” (Skaggs Family Records) revisits his big hits and gives them a slightly new twist.
The album kicks off with “Heartbroke”, “Honey Open That Door”, and goes on through “Cajun Moon”, “Highway 40 Blues”, “Uncle Pen” , “Country Boy”, “I Wouldn’t Change You If I Could”, and more. 17 tracks in all.
I don’t know what I was expecting, but, if I had one complaint, it’s that these versions aren’t significantly different to the originals. But then, Ricky has always had that Bluegrass vibe in his sound. It was great to hear all these songs again in one package again.
One of the most Country debuts I’ve enjoyed for a long time comes from a lady from Missouri called TEEA GOANS. Her album “The Way I Remember It” (Crosswind label) is such a beautiful collection of Country songs sung in the way we grew up to be Country music fans with.
There’s no over production, just simple arrangements and a lovely vocal style that’s never stretched . On some tracks she reminded me of a very early Reba, on others, there’s a Lee Ann Womack influence. Whatever way, Teea has a lovely vocal style.
She grew up listening to the Opry, and even did her 4th Grade project on the Country music church. Naturally, she found herself in Nashville, and got a job at WSM. For the past couple of years, she’s presented “Inside The Opry Circle” on the station, giving listeners an Access All areas backstage pass, which aired between the two live Opry shows on Saturday nights.
The Opry is certainly in her blood, and with an album like this, it’s only a matter of time before she’s a regular out front stage too.
Many of the songs are familiar, like Willie Nelson’s I’m Still Not Over You”, Ernest Tubb’s “Walking The Floor Over You”, Bill Anderson’s “Walk Out Backwards” and Haggard’s “I Didn’t Mean To Love You”. Others, from the pens of Jim Owen, Angela Kaset and Hank Cochran, and Dan Tyminski dueting on “Made For Lovin’ You”, all add up to a wonderful stone Country album.
The lead off single, Letter From God”, is a good strong sentimental ballad, but it just didn’t prepare me for just how much I was going to enjoy this 100% pure Country album.
The Opry will always live on as long as youngsters like Teea are around.
www.teeagoans.com
Recent UK visitor SUZY BOGGUSS has been part of the Nashville Country scene since she first charted in 1987. Before that she built up a following playing coffee houses, and a season at Dollywood where she plugged her first self released album.
That album, affectionately called “The Dollywood Tape”, portrayed Suzy as a singer with some folksy influences.
For her new album, “American Folk Songbook”, she has went back to her roots, and covererd 17 songs, from quite a broad cross section of the American folk music scene.
There are traditional numbers like “Shenendoah”, and “Red River Valley”, the bluegrassy “Shady Grove” and “Wayfaring Stranger” and childhood memories in ”Froggy Went A Courtin’” .
She comes more up to date with an interesting version of “Banks Of The Ohio” , and livens things up on “Old Dan Tucker”, and even takes on the “Rock Island Line”.
All the songs are done in a beautiful simple style, and have to say Suzy really suits this style.
When GENE WATSON was over at Easter, he told everyone about his forthcoming duet album with bluegrass queen RHONDA VINCENT. Well,“You’re Money And My Good Looks” (UM) has arrived, and it certainly was worth the wait.
Their voices work well together, in a way that Country music has never heard since Conway & Loretta. The songs mainly feature vocals, line about, in a kinda talkback style, but when they do show their harmonies, on tracks like Cathy Gosdin’s “Til The End”, they make beautiful music together.
I especially liked their version of the catchy “Sweet Thing” written by Nat Stuckey, the slow “Gone For Good”, “You Could Know As Much About A Stranger” and “It Aint Nothin’ New”, and they do a really first class job on Hank’s “My Sweet Love Aint Around” too.
The album carries a warning – “Contains REAL Country Music”, and carries a quote from George Jones saying “This Is the REAL DEAL”.
I cant argue with that.
First class. Next time you come to Scotland Gene, bring Rhonda with you!
The album isn’t released here but you can get it from various Country music stores here, and online.
It’s ten years since George Clooney starred in the southern downhome classic film “OH BROTHER, WHERE ART THOU”. Despite raising little interest from American Country radio, the film’s soundtrack is the biggest selling soundtrack of the 21st Century, with more than nine million albums sold.
To mark the 10th Anniversary, a deluxe edition of the album has been released, and it features a whole new CD of material recorded at the time, that didn’t make the original score.
The new material includes classics like “You Are My Sunshine” from Alan O’Bryant, “I’ll Fly Away” from The Kossy Sisters and “Keep On The Sunny Side” with The Cox Family. There’s also recently departed Harley Allen’s version of “In The Jailhouse Now”.
Of course, the memories of Soggy Bottom Boys are relived on Disc 1, with songs like “Man Of Constant Sorrow” and Alison Krauss’s haunting “Down To The River To Pray”.
I’m not a film buff, but I have watched “Oh Brother” several times. It’s great to relive the music on this deluxe reissue.
ERIC CHURCH has made quite an impact on the American scene since he first appeared on the charts five years ago. He still remains relatively unknown on this side of the Atlantic, however the release of his third album, “Chief” by Humphead Records should help change that.
This album lets Church explore his own writing a bit more than perhaps he has done previously. He has co-written ten of the eleven tracks on the album, produced by his guitarist and dobro player. Jay Joyce.
Church has fallen into Hank Jr’s Rowdy friends mould, and whilst there’s still evidence of that here, he has mellowed on tracks like “Springsteen”, as he tells of how music brings back memories, or the rather slower “Like Jesus Does”. He also performs a rather sentimental family number on “Homeboy”.
“Jack Daniels” isn’t too rocky, but does come over as a hangover song. Then there is “Hungover And Hard Up”, which some fans may associate themselves with.
“Country Music Jesus” did catch my ear. It is a bit rowdy, but, by the same token has some catchy banjo in there too.
Eric Church certainly isn’t run of the mill Music City. His music certainly has an edge. He wont appeal to all tastes, but if you enjoy Waylon and Hank Jr, you should check him out.
As far as living legends go, 74 year old MERLE HAGGARD is one of Country’s greatest. Since he first charted 48 years ago, the Bakersfield boy has continued to create and impress with his music.
His latest album, “Working In Tennessee”, released October 3rd on Vanguard Records, will be one of the year’s most iconic releases.
The album, his second for Vanguard, features many self penned Hag originals, with a reworking of “Working Man Blues” with his son Ben, and Willie Nelson. There’s also two Johnny Cash covers, a catchy “Cocaine Blues” and an authentic “Jackson”, with wife Teresa.
Throughout the years, Merle has used his songs to speak out against the establishment, and he’s not giving up now. “What I Hate” is aimed at everyone from politicians to road construction workers. He also puts himself in the position of being laid off work after years of employment in “Under The Bridge”
His relationship with Nashville has never been straightforward, so his opening swing number, “Working In Tennessee”, running just over 2 minutes long, perhaps takes a swipe at the Music City, with lines like “Wound Up working at Opryland!”
“Sometimes I Dream” , co-written with his daughter, Jenessa, is a particularly catchy number, which I enjoyed.
I enjoyed the whole album. It’s great to hear The Hag still sounding so good!
LUKE BRYANT is another name who has made it in America, without much impact here, and again Humphead aim to change that with the release of “Tailgates & Tanlines”.
The son of a peanut farmer burst onto the scene in 2007, and has a string of hits from his first two albums, including “Country Man”, “All My Friends Say” and “Doin’ My Thing”.
This is his third album, and kicks off with the rather sexist and immature, “Country Girl (Shake It For Me)”. Despite being a huge American hit, it doesn’t impress this Country boy!
It just sounds like a beach party number to me.
The theme carries on, with “Drunk On Me” featuring lines like “ you’re a 9.9”, “that sort of thing makes a man go mmm hmmm”. Really clever words!
The album does improve thankfully.
I did quite like the uptempo “I Don’t Want This Night To End” and the midtempo “Tailgate Blues”.
It’s modern Country music. It may get lots of American radio play, but I cant see Luke making much impact here.
Austin based RITA HOSKING received her rave reviews for her last album, ”Come Sunrise”, and won the Best Country Album Vox Pop at the 2010 Independent Music Awards.
Now she’s back with an all original set of songs on her new album “Burn” released to coincide with a UK tour that brings her to Glasgow’s Mono Café Bar on Wednesday October 12th.
The album kicks off with the lyrics, “ I wanna write you a pretty love song, like Van Morrison or Johnny and June”. I’m not sure if she manages that, but she does deliver a good set of songs.
“When Miners Sang” tells of the coal towns, whilst “Ballad For The Gulf Of Mexico” tells of the wealth from the oil industry. She reaches into rural America on “Indian Giver” and “Coytote”
“Dishes” is one of the most uptempo numbers on the album, although I never thought I’d hear a song inspired by sinkful’s of dirty plates..
Rita has a variety of subjects, and tells her tales well.
She’s well worth checking out !.
KRISTI KAYLIN is pure Texas Country magic. Her Single “My Heart Has Swinging Doors” was a great introduction to her.
Now the album, “It’s Not Over” is even better. With Texas swing numbers like “Cowboys Love Texas” , “I Just Get Leavin”, “When You Said I Do” and Country ballads like “Short Memory” and “Love Me Like The Whiskey” and “Everytime I Think It’s Over”, Kristi really shows just how good Texas music is these days.
She comes over as a Connie Smith, Barbara Mandrell, or even early Reba in her vocal style.
The Western swing numbers are certainly her biggest asset. She performs them with fun and conviction,
I loved this album.
http://www.kristikalyn.com/
I had the pleasure of meeting Austin based BARBARA NESBITT during her recent Scottish tour. The Georgia native got to the Texas musical capital via Virginia and San Diego, where she really honed her craft, and, indeed recorded her album, “The Bees”.
Barbara wrote all but one of the 13 tracks, the exception being a beautiful version of “Like Strangers”, which works well with her vocal style.
The album kicks off with the invitation to “Come To Find Out”. The track, which many a Nashville based songstress would be interested in, and certainly entices the listener into hearing more.
“Losin’ Time” is a good uptempo number, whilst “Good For Something”, features some lovely steel from Doug Pettibone. “Where You Go” has a nice banjo intro
I also liked the heartfelt, “Message To You” and “When Summer Is Over”.
Whilst certainly a songwriters album, Barbara has a good strong voice, with a hint of huskiness, which emphasises the songs nicely.
Hopefully, it wont be too long before she’s back over this side of the Atlantic.
www.barbaranesbitt.com
GEORGE STRAIT recently marked the 30th Anniversary of his first album release, with the release of his 39th studio album. “Here For A Good Time” is released here on the Humphead label.
After all that time, he knows what his audience wants, and knows how to deliver.
Yet, his sound has never sound tired.
George continues his writing, which he has been developing over recent albums. He has co-written seven of the eleven tracks with son Bubba, and longtime writer friend Dean Dillon.
The tracks include the catchy title track, the slower soul searching “Drinkin’ Man”, and “Three Nails & A Cross”, which does sound rather inspired by Randy Travis’ “Three Wooden Crosses”.
The strongest track to my ears, the old Delbert McClinton number, “Lone Star Blues”, which George really brings some energy to. He also covers the slow “A Showman’s Life”, written by Jesse Winchester, and features Faith Hill on harmony vocals.
The album closes with a rather retrospective look back at his career, and although he does claim “I’m Not Through By Any Means”, this song really sounds like his swansong. If he were to retire tomorrow, it would be a fitting farewell.
I don’t think it will be. I think George Strait could go on forever.
Only one Canadian release this time around, which comes from CATHERINE MACLELLAN.
I wasn’t familiar with Catherine, until I had listened through her album, “Silhouette” (True North Records), and reached the second last track It was a really slowed down version of “Snowbird”, a huge hit, of course, for Anne Murray, written by the late Gene MacLellan- Catherine’s father.
Although a very different version to the original, she made the song her own.
Catherine has certainly followed her father’s footsteps by going into songwriting.
The songs on the album, are both haunting and exhilarating.
I think “Same Way Again” is probably mny favourite. It has a simple folksy feel to it.
“Old Tin Can” has a quaint bluesy influence, and the opening track, “Stealin” has a good beat to it. “Eastern Girl”, which could be autobiographical, and self explanetary.
The album was recorded in a secluded cabin in Prince Edward Island.
She’ll be in Glasgow at Bar Brel on 18th November.
www.CatherineMacLellan.com
The thriving Irish scene has constantly brought us new talent, and the latest is 25 year old Ballymonet Country Boy , ALASTAIR COYLES, whose album “If Teardrops Were Pennies” has recently hit the airwaves.
And ideal for radio play it is. A good clean recording, which makes even the well covered classics sound refreshed.
Yes, there are a few over recorded numbers, like “Coat Of Many Colours” and “One Day At A Time”, and a couple of Irish numbers like “Roslare Harbour” and “Connermara Marble Ring”, but Alastair does them really well.
He pays tribute to one of his heroes in “Big Tom Is Still The King”, and features a really strong version of “Far Side Bank Of Jordan”.
He also covers songs by Irish writers Henry McMahon and Jimmy Buckley.
Despite lacking in originality, Alastair has recorded a really enjoyable album.
www. Alastaircoyles.co.uk
As far as Irish musical legends go, you have to admire MARGO O’DONNELL.
Who knows, maybe if Margo hadn’t already been an established artist, her young brother may never have got his break.
She’s made many friends over the years, and features some of them on a new “Margo & Friends” collection. (Arran label). The recordings are a collections of duets that Margo has recorded over the years, with the likes of Dolly Parton, Maura O’Connell, Joe McShane, Isla Grant, Philomena Begley, Larry Cunningham, John McNichol, and, of course, Daniel.
Margo has also released a single, “The Missing Mary Boyle”, about a six year old girl, who Margo had known, who disappeared in Donegal 34 years ago- Ireland’s longest missing person case.
www.margoodonnell.com
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SOCIETY are a West Sussex based trio of Country rockers, heavily influenced by the Eagles West Coast sound, who have just released their second album, “A Crooked Mile”.
Matt Wise, Ben Lancaster and F.Scott Kenny formed the group in 2004, and wanted the album to reflect all things West Coast America, and they have quite definitely succeeded, with an album of original songs.
From the opening harmonica on “Wheels A Turning”, through the spring in your step “Roll Home Sweetheart”, the slower “Davey”, to the heavier “Martyr’s Avenue”, which closes the album , their three part harmonies really come over well.
I really enjoyed the album, West Coast music from West Sussex. It works well.
www.myspace.com/societymusic
Finally, a couple of Irish released singles, from girls with Glasgow connections.
LISA McHUGH has really established herself in the past year with her “Old Fashioned Girl” album. Such is her popularity, she has moved from Glasgow to Donegal, and is now billed as “Ireland’s Sweetheart Of Country Music”.
Her new single is “Court Of Love”, a bright and breezy number, written by Canadian Mike O’Reilly, and previously covered by Rhonda Vincent. She does a great job on it.
Meanwhile another Donegal lass, who went to college in Glasgow, is JACQUI SHARKEY. Jacqui’s debut album “A New Dawn” has really caught fans attention, and she has now released a self penned single, “If I Had You”. Jacqui has a lovely deep vocal style, kinda like Anne Murray, and this lovely song is the type of number you would hear Anne singing. Nice job.
Two girls, with similar journeys, and very different styles, both both coming out winners. Both are available through I-Tunes etc.
Monday, 8 August 2011
Aug 2011
Summer's normally quite quiet on the CD release schedule, but not this year. We have loads of new releases to tell you about this time around.
One of my favourite debut albums to come out of Nashville in recent years was from ASHTON SHEPHERD. She had a voice that was just pure Country, and I longed for the day I’d hear more from her.
Well three long years later, “Where Country Grows” arrives (released here on Humphead), and it’s great to hear her Country voice again.
I cannot fault Ashton on this outing. She is good. Her voice is pure Country, and much stronger than a lot of the Nashville pop princesses, who get all the hype.
The title track is a real powerful anthem, sung with such passion, and “More Cows Than People”, “Beer On A Boat” continue the uptempo beat.
A bit more relaxed are “While It Aint Rainin’” and “Rory’s Radio”, which are real homespun Country gems.
Amongst the ballads is one called “I’m Just A Woman”. Her vocals on this number, showing such emotion and vulnerability, make her the female George Jones!
Yes, she is that good!
Without doubt, Ashton Shepherd is the most Country voice on a major Nashville label today.
Reba McEntire comes from a very musical family. Her brother Pake had a couple of big label album releases and sister Susie has made quite a name for herself too.
SUSIE McENTIRE performed as a backing singer for Reba in the early days, but went off in the Christian music route , performing at rodeo’s throughout Oklahoma and Texas. She was more recently seen hosting Rural TV’s Cowboy Church programme.
She has a vocal style, not unlike Reba, but with her own particular twist.
Her latest album, “Passages” features 10 tracks, which are not all Country, but then I wouldn’t say Reba was either.
The album opens with Janis Ian’s “At Seventeen”, which has quite a contemporary feel to it. There’s also a cover of Van Morrison’s “ Someone Like You”, and a gorgeous version of Amy Grant’s “Carry You”.
She does use Country writers, with Ronnie Dunn & Craig Wiseman’s “Believe”, and Steve Azar & Rafe Van Hoy contributing the rather poppy “Big Blue Sky”.
I don’t want to alienate Reba’s fans, but since I first saw Suzie almost 30 years ago, I’ve thought that Susie has had an equally good, if not better vocal style than her sister.
TOM T HALL is something of a Country music institution.He first signed with Mercury Records back in 1967, and has racked up over 50 chart hits, including 7 Numbrr one's.
Known as The Storyteller, he officially retired from recording in the late 90's, but continued to work on bluegrass projects. A few years back, Tom T gave his wife, Miss Dixie, a mock up CD as a Christmas present. It was titled “Tom T Hall sings Miss Dixie”, and signalled Tom T's intention to record an album of songs, they had written together.
Now the album isreleased here in the UK (Drimfire Records), and what a wonderful collection it is. It's still Tom T Hall, and his story songs, but with fabulous bluegrass arrangements.
I just cannot pick favourites, they're all good.
“I'm A Coal Mining Man” and “Leaving Baker County”are the strongest bluegrass arrangements, but still unmistakably Tom T Hall.
Jimmy Martin joins in on “Jimmy Martin's Life Story”, whilst Earl Scruggs joins in on “One Of Those Days (When I Miss Lester Flatt)
It's a superb album, one that I'm really enjoying listeing to.
It’s a while since we’ve heard from Canadian family group, THE RANKIN FAMILY. John Morris, who was the band’s musical director died in a car crash ten years ago, and although the individual members carried on their individual musical ambitions at their own pace, it wasn’t until they did a reunion tour across Canada in 2007 that the flame was rekindled.
“These Are The Moments” was released in Canada in 2009, but only now been released in the UK on Western Songs.
Their harmonies are such a joy to hear once more. The album features six brand new songs, alongside a couple of remixes of popular songs like “Fare Thee Well Love” , the bop along “You Feel The Same Way Too” and the spine chilling “Rise Again”.
But of the new songs, the title track, comes from the opening line off the second track , “Straight Into Love”, a great song written by Jimmy Rankin and Patricia Conroy, with Cookie in lead vocals.
But my favourite cut has to be “Never Alone”, written by Victoria Shaw , Sarah Buxton & Gary Burr, and performed by Heather & Cookie. Heather also gets in on the writing act, with the soft “I Would”.
The other track which stands out for me is Raylene’s “Hopeville”.
I’ve always loved The Rankins.
This album has hardly been off the CD player since it arrived. If you like your Country , with just a little Celtic influence, then this is a must for you!
TERRI CLARK has been one of Canada’s most successful Country girl singers, since she graduated from Tootsies Bar on Nashville’s Lower Broadway to the charts, and numerous high level awards like CCMA Entertainer of The Year.
Her latest album, “Roots & Wings” was released here by Humphead Records at the end of July.
She has co-written most of the tracks on the album, with folks like Victoria Banks (more of which in a moment), Tia Sillers, Deric Ruttan , Kristen Hall and Tom Shapiro, and produced the album herself.
Terri has a strong modern sound, without losing the real Country feel. The songs are about woman, whether she’s on a mission, breaking up, being single, or in a relationship. She has always had a real gutsy beat to her songs.
I particularly enjoyed her biographical “Northern Girl” , and was amazing surprised by the old time Country “Lonesome’s Last Call”- probably the most Country track Terri’s ever recorded. It’s a wonderful cut.
I also enjoyed the simplicity of “Beautiful And Broken” , “Flowers In Stone” and “Smile”.
Then she rocks it up on “We’re Here For A Good Time”, which she describes as “a 70’s Rock classic by Canadian band, Trooper, which I country’d it up a bit”. It’s certainly a bit different, but works for Terri. It probably wouldn’t suit everyone, but Terri pulls it off.
Terri Clark is an immense talent that hasn’t been given too many releases over here.
Appreciate this one.
Canada appears to have an abundance of Country girl singers. Following Terri Clark to Nashville is VICTORIA BANKS, who, as well as a singer, is also establishing herself as a successful writer. She’s written tracks for Terri Clark’s latest abum, and Johnny Reid, amongst others.
“Never Be The Same” is her second album, (OnRamp/EMI Canada). And, as you’d expect, she’s written, or co-written all 11 tracks, and, like Terri, produced the project herself.
She’s certainly a force to be reckoned with.
Victoria’s music is certainly on the modern side of Country. Many of the songs, like “Come On “, “I’m Gone” and “Barefoot Girl” are uptempo radio friendly numbers.
She can also slow things down, like on “Somebody Does” and “Remember That”.
I really enjoyed “Jackson”, which is probably the strongest Country number, and there’s a lovely folksy feel to “The Other Side”.
Victoria is the the current Canadian Country Music Association Female Vocalist. Look out for her repeating that success next month.
THE ROYS, Lee and Elaine, are one of the freshest sounding acts coming out of America at present. Roughstock named them “one to watch” in 2011. Their new album “Lonesome Whistle” (Rural Rythym) is a beautiful CD to listen to.
Several of tracks have a fast paced bluegrass sound, especially “Nothing I Can Do About It Now”, “Give A Ride To The Devil”, “My Oh My, How Time Flies” and the title track, “Lonesome Whistle”.
There’s also a good catchy beat to “Trailblazer”, and also on “Coal Minin’ Man”, which opens the album,
Other tracks have a more laid back homestead sound, like that on “That’s What Makes It Love”, which features Ricky Skaggs & The Whites., “Everything I Ever Wanted” and “I Wonder What God’s Thinking”.
The brother and sister duo share the vocals, and are both equally as strong, and the harmonies are wonderful.
This album was a joy to listen to.
THE BRACKEN BROTHERS from Northern Ireland have made their reputation playing Buck Owens’ hit songs. But their new album, “After My Own Heart” is full of original material written by Edward and George.
That’s not to say that they’ve abandoned Buck.
No way !
They still have that Bakersfield sound, especially on “Forever Aint As Long As It Used To Be”, “Exactly The Girl I’m Looking For” , and of course, “You Cant Beat A Bit Of Buck”.
Another uptempo number, which works well is “The Guy Who Has Everything”
They slow it down on several tracks, like “Here With Me”, “Gone Past Caring” and “First Love”.
A good listen from the boys who were here in Scotland back in May. Lets hope it’s not too long before they’re back.
Available by calling
07732 154772
JODY GALLAGHER grew up in Killybegs, a fishing port in Donegal, the second of seven children. He has a long and varied musical career having played for over 20 years in covers bands, but has only recently taken to songwriting.
His first songs were comedy nuimbers, which caught the attention of Conan Gallen, but he then progressed into writing Country blues.
The result is “Crazy Mixed Up World”, a really nice album featuring 11 of his own songs. His style does have similarities with Guy Clark and JJ Cale amongst others.
He has that sort of “lived in“ vocal style, which really adds authenticity to his songs.
Two of them have already featured here have already been released by Brendan Quinn, including the catchy “Day’s Gonna Come”.
I enjoyed the title track, as well as the catchy “Don’t Have Time Today”, although the whole album was an enjoyable listen.
www.jodysongs.com
One of the brightest new stars on the Irish scene is NATHAN CARTER. Nathan’s new album. “Time Of My Life” (Sharpe Music) covers quite a variety of styles, and makes for a really pleasant listen.
He has a good uptempo selection of Country covers, including a lively “Delta Dawn” , and a good paced cover of The Nitty Gritty Dirt Band’s “Fishing In The Dark”. He does slow down for “Lay Down Beside Me”, a hit, of course, for Don Williams.
He also produces his trump card, by getting Charlie Landsborough to guest on the album, on a duet of Charlie’s “Forever Friend”.
There’s a few Irish tracks, including “The Rainbow In Glenfarne”, about a popular venue, and the catchy “One For The Road”,m both penned by John Farry.
There’s also some pop fair, with Perter Sarsted’s “Where Do You Go To My Lovely”.
I really enjoyed this album , from a young man, we’ll no doubt be hearing more from.
www,nathancartermusic.co.uk
PATRICK FEENEY is another of Ireland’s rising stars, and has just released his new album “Good Thing Going Down”. (CMR Records)
The title track was written by Scotsman David MacLeod, (dad of Slange Ava’s Keith), and gets the 16 track collection off to a great start. He also covers Charlie Landsborough’s “All Passing Through” and Jody Gallagher’s “Days Gone Come”, as well as Irish originals “Firelight” and “Love At First Sight”.
He also covers some classics including “Bonaparte’s Retreat”, “Walk Thru This World With Me”, “She’s In Love With A Rodeo Man”, “Behind Closed Doors” and “Eleven Roses”.
I really enjoyed his cover of Mac McAnally’s “Simple Life” , which is certainly influenced by the The Chieftains version.
It’s a good entertaining album. Well worth a listen, if you like that Irish sound.
North Carolinan BYRON HILL is one of Nashville’s most accomplished songwriters currently, and he gives the original versions of some of the hits he’s written on the 14 track “Radio Songs” CD (BHP Recordings)
You’ll find songs that Byron has written for the likes of George Strait, Johnny Lee, Ray Charles, Anne Murray and Tracy Byrd. The songs are given an authentic simple acoustic treatment, just as you would imagine a songwrier demo-ing.
The songs, including “Pickin’ Up Strangers”, “Fool Hearted Memory”, “Lifestyles Of The Not So Rich And Famous” and “Nothin’ On But The Radio”, were recorded over a two year period.
It’s a nice collection of songs, done just a bit differently from the versions we’re used to.
www.byronhillmusic.com
Last time around, we reviewed a new “friends” album from THE GRASCALS , who have really taken bluegrass into the mainstream stateside. They have also released a 7 track CD, “Dance Til Your Stockings Are Hot And Ravelin’”, a tribute to the music of The Andy Griffith TV Show in the USA.
Its real old timey authentic bluegrass that’ll really have your feet tappin’ from the “Dooley” and “Stat All Night” to the instrumental “Ol’ Joe Clark”.
A great sound, and well worth getting your attention !
It’s over quarter of a century since we first discovered the talents of RANDY TRAVIS. Now HumpHead Records have released an interesting “25th Anniversary Celebration”.
The album is full of guests, many part of the Country music scene, and some names we’re not too well aware of. You’ll find guest spots from Jamey Johnson, Carrie Underwood, Shelby Lynne, John Anderson, Kenny Chesney , Alan Jackson and Don Henley amongst others.
Several of the songs, you’ll recognise. Titles like “Forever And Ever Amen”, “Digging Up Bones” and “Is It Still Over”, but there are newer songs too.
One of the real star studded anthems is “Didn’t We Shine”, which features George Jones, Connie Smith, Lorrie Morgan, Ray Price , Gene Watson and Joe Stampley.
When Randy first came on the scene, he was labelled “New Country”. Time proved him to be one of our music’s greatest traditionalists. And it’s great that he’s still making great Country music today!
CONNIE SMITH is a true evergreen legend in Country music. Despite her only chart topper being back in 1964, she continues to be as popular as ever, thanks to her loyalty to the Grand Ole Opry, and her regular appearances on husband Marty Stuart’s TV series.
“Long Line Of Heartaches” is her first new album for years.
It features 12 tracks that can simply be described as Connie Smith. She has a beautiful style of her music, from uptempo numbers like “Pain Of A Broken Heart” and “A Heart Like You”, to slower ballads like “I Don’t Believe That’s How You Feel” and “Blue Heartaches”.
And closes the album with the gospel favoured “Take My Hand”.
The album has no surprises. It’s Connie Smith , just as you would expect to hear her.
One of the recent visitors to Perth’s Southern Fried Festival was the Southern gospel group, BLIND BOYS OF ALABAMA. Their latest album, “Take The High Road”, teams the long standing group up with an array of Nashville stars.
That other long standing group, who began in gospel way back, The Oakridge Boys help get the album started on the title track, whilst Jamey Johnson adds his presence to “Have Thine Own Way,Lord”, and Lee Ann Womack joins in on “I Was A Burden”.
Vince Gill, married to gospel singer Amy Grant, joins in on “Can You Give Me A Drink”, and the old standards “I Saw The Light” and “Family Bible” feature Hank Jr and Willie Nelson respectively.
But the group, don’t need Nashville stars to give their music a Country feel.
“I Know A Place”, has both soulful and country echoes.
The album closes with the traditional sounding “Last Mile Of The Way”.
It’s an interesting album – not all Country, by any means, but a refreshing listen, none the less!
NICK 13 is better known as singer songwriter with Tiger Army, a phsycobilly band.
This is his solo debut on Sugar Hill Records. Recorded in Nashville & LA, and has that country feel, which makes it an interesting listen. It features both electric and acoustic guitar arrangements. It is a modern sounding album, with hillbilly overtones.
It has a feel good factor throughout the album, even on titles like “Nashville Winter”,
and “Gamblers Life”.
I really enjoyed tracks like “Nightime Sky” and “Someday”.
Well worth a listen.
Virginian DONNA ULISSE has a refreshing modern bluegrass sound, with lots of fiddle & banjo.
Twenty years back, Donna appeared on the short lived Atlantic Nashville label, and got great reviews, but the label’s demise, sent Donna into the Country music wilderness for a while. Whilst she continued to write songs, it was another 16 years before a second album appeared, and now “An Easy Climb”, is her fourth outing.
I enjoyed this album from start to finish. “Let It Rain” is a good uptempo number to kick off with. Indeed most of the tracks are quite fast, with “Crawlin’ Back” , “Lonesome For You” and “Hand Me Down Home” particularly stronmg.
Having said that, the title track, slows the album down by track 5.
“Her Heart Is A Stone Hard Ground” and “Banks Of Roane River”, are also slower number, but Donna still handles with ease.
The closing track, “Sandy Glen”, with it’s simple instrumentation, has a rather folksy feel to it, but again, Donna shines through.
I thoroughly enjoyed this album. If you like your music, in the style of Rhonda Vincent and The Whites, be sure to check this lady out.
Now for a couple of home grown releases:
Many performers across the world were inspired by Johnny Cash, and there have been many tribute albums to The Man In Black. If you’re going to do a cash album, you have to do it good.
And , I’m glad to say Moray based TREVOR JAMES MAIR has done a good job on his Cash collection. I was especially impressed with the project title, “Mair Cash” !
The album contains 14 Cash classics, done very authentically, yet fresh for today’s audience.
“Give My Love To Rose” kicks off the album, and is follwed by “I Still Miss Someone”, “Busted”, “I Got Stripes”, “I Heard That Lonesome Whistle Blow”, and there’s a few gospel numbers to round off the album, including “The Old Account”, “Peace In The Valley” and “In The Garden”.
If you want Mair Cash, be sure to check out this album.
www.trevorjames-tjmmusic.com
BUZZARD CREEK are one of the most popular acts on the Central Scotland circuit, and have just brought out a new CD.
“Pure Country” is quite an apt title for this 15 track collection, which shows the duo’s versatility on the Country scene, and not just appealing to dancers alone.
Here we find some current favourites like “People Are Crazy”, and “Walk The Line Revisited”, but lots of classic oldies too, like “Please Help Me I’m Falling” , “Ramblin’ Fever”, “Margaritaville” and “Louisiana Saturday Night”.
There’s a couple of Eagles tunes just for good measure too.
Being primarily a gig album, therer’s no sleevenotes, but the production is of a good standard, and certainly an album to be picked up by fans.
Although this next release is from Australia, it has good Scottish connections.
PRESENT COMPANY are a quartet of musicians who have a lovely blend of bluegrass, folk and alternative music. “Present Company Included” is their second CD release, and came out just in time for their recent Scottish tour, which saw them perform everywhere from Edinburgh to Dunnet Head, and festivals in Guildtown, Beauly and Stornoway.
They were previously called “Innes & Present Company”. Innes, is Innes Campbell, who grew up in Stirling, before emigrating down under where he is a doctor by profession. Innes is a Tamworth guitar champion. He is joined by George Jackson. Tamworth’s Bluegrass Fiddle champion in 2010 & 2011. George also plays banjo .
Markus Karlsen is on acoustic bass , and Michael Patrick is on mandolin & violin, and they all share the vocals.
Their sound features some good songs, most notably the opening “Say Something Nice”, and the really Country sounding “You Belong Here”. I also enjoyed “The Light Of Day”, which is a bit more folk-country sounding, in the same way Lindisfarne blended the genres.
There’s some fun stuff too, like “Aliens”, and “The Dark Of The Matinee”, one of the folkier numbers on the album., and a number of instrumentals from the fast paced “Ride The Wild Turkey” and “Lethargy”, to the relaxing “Lead Me Away”.
A good listen, well worth checking out.
www.present-company.com.au
ZOE MUTH is the latest name to come out of the exciting Seattle singer songwriter scene. Her first album impressed me, and her second offering, “Starlight Hotel” is just so good.
All ten tracks were written by Zoe, with one being a co-write.
Whilst the album is generally a soft acoustic production that suit singer songwriters, the CD kicks off with a lively horns intro to the more Texan influenced “I’ve Been Gone”, which really gets your attention from the word go . “Let’s Just Be Friends For Tonight” is another true Texan honky tonk styled number.
There’s lots of steel in “If I Cant Trust You With A Quarter” , that works well with Zoe’s soft vocals.
She’s been described as “the spirit of Hank & Merle”, and “Reminicent of Iris Dement”. That should be enough incentive for Country fans to check her out.
Believe me, you wont be disappointed.
A few months back we were impressed by an album from The Secret Sisters, and now I find a group called SWEETBACK SISTERS, who have a knockout album called “Looking For A Fight”, recorded in Brooklyn, New York, although you’d never guess that from the sound.
The group are actually a 6 piece outfit, with four guys and two girls. But it’s the gals, Zara Bode and Emily Miller, who lead the vocals, on what is a totally refreshing album of Country and Texas Swing.
Whether it’s the pure Country of “I Wont Hurt When I Fall Down From This Barstool” , the melodic “Mystery Of You”, the rockabilly influenced “Rattled”, or
the Texas swing of “Texas Bluebonnets”, “Thank You” or “Run Home And Try” , this album really shines.
I really enjoyed the fast paced “Too Many Experts”, and the western styled “Cowboy Ham And Eggs”.
Whilst the album, is largely upbeat happy music, they do prove themselves on slower ballads too, especially on “Don’t Put Her Down, You Help Put Her There” and “Home”.
“Looking For A Fight” has a good Country beat, but is probably the least impressive track vocally.
Modern Country, it is not. It has a definite nostalgic sound, but one that is totally refreshing.
If you enjoy your bluegrass music with a real old timey authentic sound, then listen out for OLD SLEDGE”, whose album, “Don’t Let Your Deal Go Down” is released August 8th , ahead of a UK tour which kicks off in Scotland from September 22nd.
Old Sledge are the real deal, bringing Blue Ridge Mountain music straight from deepest Virginia. They group are Chance McCoy, multiple West Virginia Fiddle Champion, Sabra Guzman, and Luke Richardson.
There’s 15 tracks on the album, and not a poor track among them. Lots of Fiddle and banjo, and authentic singing.
THE CARRIVICK SISTERS are twins, Laura & Charlotte from South Devon, and sing and perform beautiful bluegrass music. The 21 year olds have already three CD’s released and their new collection, “From The Fields” is released on August 22nd .
The album, recorded at Pure Records Studios, has a really nice sound to it. They girls feature ten original songs , one instrumental and one cover, “Early Early In The Morning”
I really liked the relaxing atmosphere this CD creates. Lovely vocals, nice instrumentation, and good songs, all done in a bluegrassy/ folksy feel.
They’re at The Edinburgh Folk Club next month. They’ll be worth checking out.
www.the carrivicksisters.com
ROD PICOTT, is a Nashville based singer-songwriter, originally from South Berwick, Maine. He is a former blue collar worker, and that lifestyle is reflected in his music.
His new album, his seventh, is “Welding Burns” and features three songs, co-written by Slaid Cleaves.
I particulary liked the sound of “Sheetrock Hanger” and “Your Father’s Tattoo”.
Finally, Country music appears to be huge business across the North Sea, in Norway, even before the likes of Alan Jackson decided to make it his European concert stop. They have several first class artists, and include the very talented KARIN WRIGHT, whose new album is titled “Too Rock’n’Roll For Country”.
The press release says that she loves both genres, but certainly proves her Country pedigree with this 15 track collection of original material.
The rockin’ title track kicks off the album, and is really catchy and radio friendly, whilst some lovely steel guitar introduces “Dancing On My Mind”.
She apparently likens herself to Lucinda Williams, but, to my ears, she’s much more mainstream, and, on tracks like “Lucky Once”, and “Little Drop Of Love”, she’s more influenced by Brenda Lee or Wanda Jackson, Then there’s a Carlene Carter sound on “Bit By Bit”.
She does a few ballads, like “Long Lost Highway” and “Room For Me” which she does an equally good job on.
There’s also just a couple of pop numbers, where the Eurovision influence comes in. But don’t let that put you off. There’s 15 tracks here, and most are really enjoyable.
www.karinwright.com
One of my favourite debut albums to come out of Nashville in recent years was from ASHTON SHEPHERD. She had a voice that was just pure Country, and I longed for the day I’d hear more from her.
Well three long years later, “Where Country Grows” arrives (released here on Humphead), and it’s great to hear her Country voice again.
I cannot fault Ashton on this outing. She is good. Her voice is pure Country, and much stronger than a lot of the Nashville pop princesses, who get all the hype.
The title track is a real powerful anthem, sung with such passion, and “More Cows Than People”, “Beer On A Boat” continue the uptempo beat.
A bit more relaxed are “While It Aint Rainin’” and “Rory’s Radio”, which are real homespun Country gems.
Amongst the ballads is one called “I’m Just A Woman”. Her vocals on this number, showing such emotion and vulnerability, make her the female George Jones!
Yes, she is that good!
Without doubt, Ashton Shepherd is the most Country voice on a major Nashville label today.
Reba McEntire comes from a very musical family. Her brother Pake had a couple of big label album releases and sister Susie has made quite a name for herself too.
SUSIE McENTIRE performed as a backing singer for Reba in the early days, but went off in the Christian music route , performing at rodeo’s throughout Oklahoma and Texas. She was more recently seen hosting Rural TV’s Cowboy Church programme.
She has a vocal style, not unlike Reba, but with her own particular twist.
Her latest album, “Passages” features 10 tracks, which are not all Country, but then I wouldn’t say Reba was either.
The album opens with Janis Ian’s “At Seventeen”, which has quite a contemporary feel to it. There’s also a cover of Van Morrison’s “ Someone Like You”, and a gorgeous version of Amy Grant’s “Carry You”.
She does use Country writers, with Ronnie Dunn & Craig Wiseman’s “Believe”, and Steve Azar & Rafe Van Hoy contributing the rather poppy “Big Blue Sky”.
I don’t want to alienate Reba’s fans, but since I first saw Suzie almost 30 years ago, I’ve thought that Susie has had an equally good, if not better vocal style than her sister.
TOM T HALL is something of a Country music institution.He first signed with Mercury Records back in 1967, and has racked up over 50 chart hits, including 7 Numbrr one's.
Known as The Storyteller, he officially retired from recording in the late 90's, but continued to work on bluegrass projects. A few years back, Tom T gave his wife, Miss Dixie, a mock up CD as a Christmas present. It was titled “Tom T Hall sings Miss Dixie”, and signalled Tom T's intention to record an album of songs, they had written together.
Now the album isreleased here in the UK (Drimfire Records), and what a wonderful collection it is. It's still Tom T Hall, and his story songs, but with fabulous bluegrass arrangements.
I just cannot pick favourites, they're all good.
“I'm A Coal Mining Man” and “Leaving Baker County”are the strongest bluegrass arrangements, but still unmistakably Tom T Hall.
Jimmy Martin joins in on “Jimmy Martin's Life Story”, whilst Earl Scruggs joins in on “One Of Those Days (When I Miss Lester Flatt)
It's a superb album, one that I'm really enjoying listeing to.
It’s a while since we’ve heard from Canadian family group, THE RANKIN FAMILY. John Morris, who was the band’s musical director died in a car crash ten years ago, and although the individual members carried on their individual musical ambitions at their own pace, it wasn’t until they did a reunion tour across Canada in 2007 that the flame was rekindled.
“These Are The Moments” was released in Canada in 2009, but only now been released in the UK on Western Songs.
Their harmonies are such a joy to hear once more. The album features six brand new songs, alongside a couple of remixes of popular songs like “Fare Thee Well Love” , the bop along “You Feel The Same Way Too” and the spine chilling “Rise Again”.
But of the new songs, the title track, comes from the opening line off the second track , “Straight Into Love”, a great song written by Jimmy Rankin and Patricia Conroy, with Cookie in lead vocals.
But my favourite cut has to be “Never Alone”, written by Victoria Shaw , Sarah Buxton & Gary Burr, and performed by Heather & Cookie. Heather also gets in on the writing act, with the soft “I Would”.
The other track which stands out for me is Raylene’s “Hopeville”.
I’ve always loved The Rankins.
This album has hardly been off the CD player since it arrived. If you like your Country , with just a little Celtic influence, then this is a must for you!
TERRI CLARK has been one of Canada’s most successful Country girl singers, since she graduated from Tootsies Bar on Nashville’s Lower Broadway to the charts, and numerous high level awards like CCMA Entertainer of The Year.
Her latest album, “Roots & Wings” was released here by Humphead Records at the end of July.
She has co-written most of the tracks on the album, with folks like Victoria Banks (more of which in a moment), Tia Sillers, Deric Ruttan , Kristen Hall and Tom Shapiro, and produced the album herself.
Terri has a strong modern sound, without losing the real Country feel. The songs are about woman, whether she’s on a mission, breaking up, being single, or in a relationship. She has always had a real gutsy beat to her songs.
I particularly enjoyed her biographical “Northern Girl” , and was amazing surprised by the old time Country “Lonesome’s Last Call”- probably the most Country track Terri’s ever recorded. It’s a wonderful cut.
I also enjoyed the simplicity of “Beautiful And Broken” , “Flowers In Stone” and “Smile”.
Then she rocks it up on “We’re Here For A Good Time”, which she describes as “a 70’s Rock classic by Canadian band, Trooper, which I country’d it up a bit”. It’s certainly a bit different, but works for Terri. It probably wouldn’t suit everyone, but Terri pulls it off.
Terri Clark is an immense talent that hasn’t been given too many releases over here.
Appreciate this one.
Canada appears to have an abundance of Country girl singers. Following Terri Clark to Nashville is VICTORIA BANKS, who, as well as a singer, is also establishing herself as a successful writer. She’s written tracks for Terri Clark’s latest abum, and Johnny Reid, amongst others.
“Never Be The Same” is her second album, (OnRamp/EMI Canada). And, as you’d expect, she’s written, or co-written all 11 tracks, and, like Terri, produced the project herself.
She’s certainly a force to be reckoned with.
Victoria’s music is certainly on the modern side of Country. Many of the songs, like “Come On “, “I’m Gone” and “Barefoot Girl” are uptempo radio friendly numbers.
She can also slow things down, like on “Somebody Does” and “Remember That”.
I really enjoyed “Jackson”, which is probably the strongest Country number, and there’s a lovely folksy feel to “The Other Side”.
Victoria is the the current Canadian Country Music Association Female Vocalist. Look out for her repeating that success next month.
THE ROYS, Lee and Elaine, are one of the freshest sounding acts coming out of America at present. Roughstock named them “one to watch” in 2011. Their new album “Lonesome Whistle” (Rural Rythym) is a beautiful CD to listen to.
Several of tracks have a fast paced bluegrass sound, especially “Nothing I Can Do About It Now”, “Give A Ride To The Devil”, “My Oh My, How Time Flies” and the title track, “Lonesome Whistle”.
There’s also a good catchy beat to “Trailblazer”, and also on “Coal Minin’ Man”, which opens the album,
Other tracks have a more laid back homestead sound, like that on “That’s What Makes It Love”, which features Ricky Skaggs & The Whites., “Everything I Ever Wanted” and “I Wonder What God’s Thinking”.
The brother and sister duo share the vocals, and are both equally as strong, and the harmonies are wonderful.
This album was a joy to listen to.
THE BRACKEN BROTHERS from Northern Ireland have made their reputation playing Buck Owens’ hit songs. But their new album, “After My Own Heart” is full of original material written by Edward and George.
That’s not to say that they’ve abandoned Buck.
No way !
They still have that Bakersfield sound, especially on “Forever Aint As Long As It Used To Be”, “Exactly The Girl I’m Looking For” , and of course, “You Cant Beat A Bit Of Buck”.
Another uptempo number, which works well is “The Guy Who Has Everything”
They slow it down on several tracks, like “Here With Me”, “Gone Past Caring” and “First Love”.
A good listen from the boys who were here in Scotland back in May. Lets hope it’s not too long before they’re back.
Available by calling
07732 154772
JODY GALLAGHER grew up in Killybegs, a fishing port in Donegal, the second of seven children. He has a long and varied musical career having played for over 20 years in covers bands, but has only recently taken to songwriting.
His first songs were comedy nuimbers, which caught the attention of Conan Gallen, but he then progressed into writing Country blues.
The result is “Crazy Mixed Up World”, a really nice album featuring 11 of his own songs. His style does have similarities with Guy Clark and JJ Cale amongst others.
He has that sort of “lived in“ vocal style, which really adds authenticity to his songs.
Two of them have already featured here have already been released by Brendan Quinn, including the catchy “Day’s Gonna Come”.
I enjoyed the title track, as well as the catchy “Don’t Have Time Today”, although the whole album was an enjoyable listen.
www.jodysongs.com
One of the brightest new stars on the Irish scene is NATHAN CARTER. Nathan’s new album. “Time Of My Life” (Sharpe Music) covers quite a variety of styles, and makes for a really pleasant listen.
He has a good uptempo selection of Country covers, including a lively “Delta Dawn” , and a good paced cover of The Nitty Gritty Dirt Band’s “Fishing In The Dark”. He does slow down for “Lay Down Beside Me”, a hit, of course, for Don Williams.
He also produces his trump card, by getting Charlie Landsborough to guest on the album, on a duet of Charlie’s “Forever Friend”.
There’s a few Irish tracks, including “The Rainbow In Glenfarne”, about a popular venue, and the catchy “One For The Road”,m both penned by John Farry.
There’s also some pop fair, with Perter Sarsted’s “Where Do You Go To My Lovely”.
I really enjoyed this album , from a young man, we’ll no doubt be hearing more from.
www,nathancartermusic.co.uk
PATRICK FEENEY is another of Ireland’s rising stars, and has just released his new album “Good Thing Going Down”. (CMR Records)
The title track was written by Scotsman David MacLeod, (dad of Slange Ava’s Keith), and gets the 16 track collection off to a great start. He also covers Charlie Landsborough’s “All Passing Through” and Jody Gallagher’s “Days Gone Come”, as well as Irish originals “Firelight” and “Love At First Sight”.
He also covers some classics including “Bonaparte’s Retreat”, “Walk Thru This World With Me”, “She’s In Love With A Rodeo Man”, “Behind Closed Doors” and “Eleven Roses”.
I really enjoyed his cover of Mac McAnally’s “Simple Life” , which is certainly influenced by the The Chieftains version.
It’s a good entertaining album. Well worth a listen, if you like that Irish sound.
North Carolinan BYRON HILL is one of Nashville’s most accomplished songwriters currently, and he gives the original versions of some of the hits he’s written on the 14 track “Radio Songs” CD (BHP Recordings)
You’ll find songs that Byron has written for the likes of George Strait, Johnny Lee, Ray Charles, Anne Murray and Tracy Byrd. The songs are given an authentic simple acoustic treatment, just as you would imagine a songwrier demo-ing.
The songs, including “Pickin’ Up Strangers”, “Fool Hearted Memory”, “Lifestyles Of The Not So Rich And Famous” and “Nothin’ On But The Radio”, were recorded over a two year period.
It’s a nice collection of songs, done just a bit differently from the versions we’re used to.
www.byronhillmusic.com
Last time around, we reviewed a new “friends” album from THE GRASCALS , who have really taken bluegrass into the mainstream stateside. They have also released a 7 track CD, “Dance Til Your Stockings Are Hot And Ravelin’”, a tribute to the music of The Andy Griffith TV Show in the USA.
Its real old timey authentic bluegrass that’ll really have your feet tappin’ from the “Dooley” and “Stat All Night” to the instrumental “Ol’ Joe Clark”.
A great sound, and well worth getting your attention !
It’s over quarter of a century since we first discovered the talents of RANDY TRAVIS. Now HumpHead Records have released an interesting “25th Anniversary Celebration”.
The album is full of guests, many part of the Country music scene, and some names we’re not too well aware of. You’ll find guest spots from Jamey Johnson, Carrie Underwood, Shelby Lynne, John Anderson, Kenny Chesney , Alan Jackson and Don Henley amongst others.
Several of the songs, you’ll recognise. Titles like “Forever And Ever Amen”, “Digging Up Bones” and “Is It Still Over”, but there are newer songs too.
One of the real star studded anthems is “Didn’t We Shine”, which features George Jones, Connie Smith, Lorrie Morgan, Ray Price , Gene Watson and Joe Stampley.
When Randy first came on the scene, he was labelled “New Country”. Time proved him to be one of our music’s greatest traditionalists. And it’s great that he’s still making great Country music today!
CONNIE SMITH is a true evergreen legend in Country music. Despite her only chart topper being back in 1964, she continues to be as popular as ever, thanks to her loyalty to the Grand Ole Opry, and her regular appearances on husband Marty Stuart’s TV series.
“Long Line Of Heartaches” is her first new album for years.
It features 12 tracks that can simply be described as Connie Smith. She has a beautiful style of her music, from uptempo numbers like “Pain Of A Broken Heart” and “A Heart Like You”, to slower ballads like “I Don’t Believe That’s How You Feel” and “Blue Heartaches”.
And closes the album with the gospel favoured “Take My Hand”.
The album has no surprises. It’s Connie Smith , just as you would expect to hear her.
One of the recent visitors to Perth’s Southern Fried Festival was the Southern gospel group, BLIND BOYS OF ALABAMA. Their latest album, “Take The High Road”, teams the long standing group up with an array of Nashville stars.
That other long standing group, who began in gospel way back, The Oakridge Boys help get the album started on the title track, whilst Jamey Johnson adds his presence to “Have Thine Own Way,Lord”, and Lee Ann Womack joins in on “I Was A Burden”.
Vince Gill, married to gospel singer Amy Grant, joins in on “Can You Give Me A Drink”, and the old standards “I Saw The Light” and “Family Bible” feature Hank Jr and Willie Nelson respectively.
But the group, don’t need Nashville stars to give their music a Country feel.
“I Know A Place”, has both soulful and country echoes.
The album closes with the traditional sounding “Last Mile Of The Way”.
It’s an interesting album – not all Country, by any means, but a refreshing listen, none the less!
NICK 13 is better known as singer songwriter with Tiger Army, a phsycobilly band.
This is his solo debut on Sugar Hill Records. Recorded in Nashville & LA, and has that country feel, which makes it an interesting listen. It features both electric and acoustic guitar arrangements. It is a modern sounding album, with hillbilly overtones.
It has a feel good factor throughout the album, even on titles like “Nashville Winter”,
and “Gamblers Life”.
I really enjoyed tracks like “Nightime Sky” and “Someday”.
Well worth a listen.
Virginian DONNA ULISSE has a refreshing modern bluegrass sound, with lots of fiddle & banjo.
Twenty years back, Donna appeared on the short lived Atlantic Nashville label, and got great reviews, but the label’s demise, sent Donna into the Country music wilderness for a while. Whilst she continued to write songs, it was another 16 years before a second album appeared, and now “An Easy Climb”, is her fourth outing.
I enjoyed this album from start to finish. “Let It Rain” is a good uptempo number to kick off with. Indeed most of the tracks are quite fast, with “Crawlin’ Back” , “Lonesome For You” and “Hand Me Down Home” particularly stronmg.
Having said that, the title track, slows the album down by track 5.
“Her Heart Is A Stone Hard Ground” and “Banks Of Roane River”, are also slower number, but Donna still handles with ease.
The closing track, “Sandy Glen”, with it’s simple instrumentation, has a rather folksy feel to it, but again, Donna shines through.
I thoroughly enjoyed this album. If you like your music, in the style of Rhonda Vincent and The Whites, be sure to check this lady out.
Now for a couple of home grown releases:
Many performers across the world were inspired by Johnny Cash, and there have been many tribute albums to The Man In Black. If you’re going to do a cash album, you have to do it good.
And , I’m glad to say Moray based TREVOR JAMES MAIR has done a good job on his Cash collection. I was especially impressed with the project title, “Mair Cash” !
The album contains 14 Cash classics, done very authentically, yet fresh for today’s audience.
“Give My Love To Rose” kicks off the album, and is follwed by “I Still Miss Someone”, “Busted”, “I Got Stripes”, “I Heard That Lonesome Whistle Blow”, and there’s a few gospel numbers to round off the album, including “The Old Account”, “Peace In The Valley” and “In The Garden”.
If you want Mair Cash, be sure to check out this album.
www.trevorjames-tjmmusic.com
BUZZARD CREEK are one of the most popular acts on the Central Scotland circuit, and have just brought out a new CD.
“Pure Country” is quite an apt title for this 15 track collection, which shows the duo’s versatility on the Country scene, and not just appealing to dancers alone.
Here we find some current favourites like “People Are Crazy”, and “Walk The Line Revisited”, but lots of classic oldies too, like “Please Help Me I’m Falling” , “Ramblin’ Fever”, “Margaritaville” and “Louisiana Saturday Night”.
There’s a couple of Eagles tunes just for good measure too.
Being primarily a gig album, therer’s no sleevenotes, but the production is of a good standard, and certainly an album to be picked up by fans.
Although this next release is from Australia, it has good Scottish connections.
PRESENT COMPANY are a quartet of musicians who have a lovely blend of bluegrass, folk and alternative music. “Present Company Included” is their second CD release, and came out just in time for their recent Scottish tour, which saw them perform everywhere from Edinburgh to Dunnet Head, and festivals in Guildtown, Beauly and Stornoway.
They were previously called “Innes & Present Company”. Innes, is Innes Campbell, who grew up in Stirling, before emigrating down under where he is a doctor by profession. Innes is a Tamworth guitar champion. He is joined by George Jackson. Tamworth’s Bluegrass Fiddle champion in 2010 & 2011. George also plays banjo .
Markus Karlsen is on acoustic bass , and Michael Patrick is on mandolin & violin, and they all share the vocals.
Their sound features some good songs, most notably the opening “Say Something Nice”, and the really Country sounding “You Belong Here”. I also enjoyed “The Light Of Day”, which is a bit more folk-country sounding, in the same way Lindisfarne blended the genres.
There’s some fun stuff too, like “Aliens”, and “The Dark Of The Matinee”, one of the folkier numbers on the album., and a number of instrumentals from the fast paced “Ride The Wild Turkey” and “Lethargy”, to the relaxing “Lead Me Away”.
A good listen, well worth checking out.
www.present-company.com.au
ZOE MUTH is the latest name to come out of the exciting Seattle singer songwriter scene. Her first album impressed me, and her second offering, “Starlight Hotel” is just so good.
All ten tracks were written by Zoe, with one being a co-write.
Whilst the album is generally a soft acoustic production that suit singer songwriters, the CD kicks off with a lively horns intro to the more Texan influenced “I’ve Been Gone”, which really gets your attention from the word go . “Let’s Just Be Friends For Tonight” is another true Texan honky tonk styled number.
There’s lots of steel in “If I Cant Trust You With A Quarter” , that works well with Zoe’s soft vocals.
She’s been described as “the spirit of Hank & Merle”, and “Reminicent of Iris Dement”. That should be enough incentive for Country fans to check her out.
Believe me, you wont be disappointed.
A few months back we were impressed by an album from The Secret Sisters, and now I find a group called SWEETBACK SISTERS, who have a knockout album called “Looking For A Fight”, recorded in Brooklyn, New York, although you’d never guess that from the sound.
The group are actually a 6 piece outfit, with four guys and two girls. But it’s the gals, Zara Bode and Emily Miller, who lead the vocals, on what is a totally refreshing album of Country and Texas Swing.
Whether it’s the pure Country of “I Wont Hurt When I Fall Down From This Barstool” , the melodic “Mystery Of You”, the rockabilly influenced “Rattled”, or
the Texas swing of “Texas Bluebonnets”, “Thank You” or “Run Home And Try” , this album really shines.
I really enjoyed the fast paced “Too Many Experts”, and the western styled “Cowboy Ham And Eggs”.
Whilst the album, is largely upbeat happy music, they do prove themselves on slower ballads too, especially on “Don’t Put Her Down, You Help Put Her There” and “Home”.
“Looking For A Fight” has a good Country beat, but is probably the least impressive track vocally.
Modern Country, it is not. It has a definite nostalgic sound, but one that is totally refreshing.
If you enjoy your bluegrass music with a real old timey authentic sound, then listen out for OLD SLEDGE”, whose album, “Don’t Let Your Deal Go Down” is released August 8th , ahead of a UK tour which kicks off in Scotland from September 22nd.
Old Sledge are the real deal, bringing Blue Ridge Mountain music straight from deepest Virginia. They group are Chance McCoy, multiple West Virginia Fiddle Champion, Sabra Guzman, and Luke Richardson.
There’s 15 tracks on the album, and not a poor track among them. Lots of Fiddle and banjo, and authentic singing.
THE CARRIVICK SISTERS are twins, Laura & Charlotte from South Devon, and sing and perform beautiful bluegrass music. The 21 year olds have already three CD’s released and their new collection, “From The Fields” is released on August 22nd .
The album, recorded at Pure Records Studios, has a really nice sound to it. They girls feature ten original songs , one instrumental and one cover, “Early Early In The Morning”
I really liked the relaxing atmosphere this CD creates. Lovely vocals, nice instrumentation, and good songs, all done in a bluegrassy/ folksy feel.
They’re at The Edinburgh Folk Club next month. They’ll be worth checking out.
www.the carrivicksisters.com
ROD PICOTT, is a Nashville based singer-songwriter, originally from South Berwick, Maine. He is a former blue collar worker, and that lifestyle is reflected in his music.
His new album, his seventh, is “Welding Burns” and features three songs, co-written by Slaid Cleaves.
I particulary liked the sound of “Sheetrock Hanger” and “Your Father’s Tattoo”.
Finally, Country music appears to be huge business across the North Sea, in Norway, even before the likes of Alan Jackson decided to make it his European concert stop. They have several first class artists, and include the very talented KARIN WRIGHT, whose new album is titled “Too Rock’n’Roll For Country”.
The press release says that she loves both genres, but certainly proves her Country pedigree with this 15 track collection of original material.
The rockin’ title track kicks off the album, and is really catchy and radio friendly, whilst some lovely steel guitar introduces “Dancing On My Mind”.
She apparently likens herself to Lucinda Williams, but, to my ears, she’s much more mainstream, and, on tracks like “Lucky Once”, and “Little Drop Of Love”, she’s more influenced by Brenda Lee or Wanda Jackson, Then there’s a Carlene Carter sound on “Bit By Bit”.
She does a few ballads, like “Long Lost Highway” and “Room For Me” which she does an equally good job on.
There’s also just a couple of pop numbers, where the Eurovision influence comes in. But don’t let that put you off. There’s 15 tracks here, and most are really enjoyable.
www.karinwright.com
Monday, 6 June 2011
June 2011
JACQUI SHARKEY is based in West Donegal, but grew up in Glasgow, and found her musical footing in the city’s folk scene many years ago.
Despite her roots, “A New Dawn” is first album, and has been getting reaction everywhere from Shetland to Argentina.
Recorded in Donegal, the album has a lovely easy listening feel to it. She’s a big fan of Mary Chapin Carpenter, and has covered three of her less obvious songs, ”This Shirt”,”Haley Came To Jackson” and “Shut Up and Kiss Me”. She also covers Jessie Colter’s “I’m Not Lisa” , Anne Murray’s “You Needed Me” and Beth Neilsen Chapman’s “Sand & Water”.
The first single, and video, from the album, which has been featured on the “Hot Country” TV Show is a beautiful version of “When I Dream”. originally an early hit for Crystal Gayle.
“Restless Heart”, one of the strongest cuts on the album, was written by Ian Smith, from Kilmarnock, who also played acoustic guitar on the album. Ian co-wrote “Midnight Symphony” with Jacqui, and she wrote “Be My Valentine” on her own.
The album is really well produced, and Jacqui has chosen a nice set of songs which really compliment her vocal style, and the simple arrangements.
It is hard to pick a favourite, but her version of Tom Kimmel’s “If I Fell From Grace With You”, really clicks for me.
If you like the easy listening Anne Murray sound, then you’ll just love Jacqui Sharkey.
www. Jacquisharkey.com
SLANGE AVA are one of the North of Scotland's top groups, who will be hardly recognised in the Central belt. The Caithness quartet features Keith MacLeod , Donny Mathieson, Chris MacIntosh and Jim Davidson, featuring a musical mix of guitars, keyboards, drums and mandolin.
Last year they brought out a DVD recorded at the Lyth arts Centre, before they recorded a CD. Now the CD has arrived, and what they've done is to copy the live set in the DVD, but went into the studio to re-record the tracks, so the sound qualityis better, especially for radio play.
“From The DVD In Concert” (Pan Records), was recorded in Wick, and features 15 tracks.
The material ranges from the uptempo “Why You Been Gone So Long” and “Every Second” to Country classics like Haggard's “Back In Love By Monday”, and Nanci Griffith's “I Wish It Would Rain”. They do a great version of “In The Shadows Of My Mind”, and it's no surprise that their version of “Walking On The Moon” is one of their most popular songs.
There's a couple of nifty little mandolin instrumentals which are really catchy.
For those who haven't seen the band yet, I'd recommend giving this CD a listen, and spread their popularity beyond the Caithness border.
www.panrecords.co.uk
THE GRASCALS are something different in today’s Country music. They have taken Bluegrass music to the masses, and brought with them , a totally unique fresh sound to the Nashville scene.
Their latest album, “The Grascals & Friends” (Cracker Barrell), features some Country classics, with some classic artists, given the Grascals bluegrass twist.
You’ll find Brad Paisley doing his bit on Buck’s “Tiger By The Tail”, Tom T.Hall on his “Year Clayton Delaney Died”, Darryl Worley joining the band for “White Lightning”, and Charlie Daniels on the superb “Devil Went Down To Georgia”.
I loved the joining of The Grascals with The Oakridge Boys” for “Leaving Louisiana In The Broad Daylight”, but my favourite cut has to be “Pain Of Loving You” with Dolly.
Dolly also features on “I Am Strong” , a song inspired by their visit to St.Judes Childrens Hospital. There’s two versions on the song on the album, one with Dolly, and one with the cast, and more, of the album. It’s quite an anthem, and the video has been featured on a few of the Showcase TV shows.
It’s a real catchy foot tappin’ album.
A great listen.
LAURA CANTRELL is from Nashville, but lives in New York, where her iconic Radio Thrift Shop had a cult following (that even stretched to Radio Scotland for a summer season a few years back).
She is an admirer of the Country women who didn’t fint it as easy to break into the music scene as today’s pop princess’s do. One of these women would be Kitty Wells, of whom Laura’s latest CD is devoted. The album is released on the Glasgow based Shoeshine label.
The album kicks off with the title track, “ Kitty Wells Dresses”, which Laura co-wrote with Amy Allison, before treating us to some real memories, like “I Dont Claim To Be An Angel”, “Poison In Your Heart”, “I Cant Tell My Heart” and “I Gave My Wedding Dress Away”.
Of course, there’s “It Wasn’t God Who Made Honky Tonk Angels” and “Making Believe” too, but my favourite track has to be “One By One”, which is duet with Chuck Mead (of BR 5-49 fame).
These songs suit Laura’s lovely vocal style.
I really enjoyed the album , a beautiful tribute to Ms Wells, and great to hear Laura on song again.
www.shoeshine.co.uk
JOSH KELLEY is one of the new Country names to look out for in 2011.
The Georgia native isn’t new to the music business, however, having already charted 4 Top 100 Pop hits.
His music has featured in films, “Life As We Knew It”, “27 Dresses” and “The Ugly Truth”, which featured his actress wife, Katherine Heigl, best known for her part as Izzie in Grey’s Anatomy.
He is also the brother of Charles Kelley from the hit group Lady Antebellum.
But now Josh is making his mark on Country music , with the release back in April, of “Georgia Clay” (Hump Head) . The title track has already been a top 20 song for him in the Country charts.
The album features 11 tracks, all written, or co-written by the singer. The songs range from the uptempo “Rainin’ Whiskey” and “ Aint Letting Go” to the slow closing track, “Dont You Go”.
In between, I enjoyed “Baby Blue Eyes” and “Two Cups Of Coffee”.
Josh has a pleasent Country style, which should fit in fine with Nashville today.
I’m sure we’ll hear more from him,
It’s 19 years since TIM McGRAW first hit the Country charts, with a song called “Welcome To The Club”, which barely squeezed into the Country Top 50 chart. The next few releases didn’t even make the Top 50. But, how he’s made up for it since then.
He’s sold over 40 million album’s, and now Rhino Records have brought us a double CD, titled “Number One Hits” featuring no less than 24 of them , including “I Like it I Love it”, “Just To See You Smile” and his recent US hit “Felt Good On My Lips”.
Some of Tim’s best songs have been quite emotional ballads, like “Dont Take The Girl”, “Please Remember Me” and “Live Like You Were Dying”, which are all featured on this collection. There’s also the blockbuster duet, “It’s Your Love”, which features his wife, Faith Hill.
This is not the first collection of Tim’s hits, but, nevertheless a good collection , if you need to catch up with his hits.
GEORGE HAMILTON IV needs no introduction to Scottish fans. He has done it all throughout the years. I’ve seen him compere at Wembley, in a theatre setting telling us the Patsy Cline story, in church , and I’ve even seen him perform in prison (both of us just there for the gig, I hasten to add). But George has always been a pioneer. From starting the first Nashville tour of the stars homes, to the first Country music star to play behind the Iron Curtain, George has always been keen to broaden his horizons.
For his latest project, he’s headed for the Heart Of Texas, and teamed up with folks like recent Caithness Festival visitors Justin Trevino and Tony Booth, for what is a really refreshing album .
Hearing George accompanied with solid steel guitar licks, and tremendous twin fiddles, is a real transformation.
He’s covered some of his old numbers , like “Fort Worth, Dallas Or Houston”,”Truck Driving Man”, and “Abilene”, the latter, given a true Texas Country makeover, with Darrell McCall duet-ing.
Justin Trevino, who produced the album, teams up with George on the old Ernest Tubb number “There’s A Little Bit Of Everything In Texas”, and they keep the old ET style, whilst freshening it up a bit.
There’s sleevenotes from former Country Music People editor Tony Byworth, and DJ and Songwriter, Bill Mack, who wrote “Clinging To A Saving Hand”, which is featured on the album.
Great to hear George sounding so good !
Back to Ireland, where SUSAN McCANN has been at the forefront of Irish Country music, since 1977, and continues to play to loyal audiences live, and through her internet radio show (http://www.susanmccann.com/susans-radio-shows.htm).
In recent years, H&H Music have repackaged all her old vinyl albums onto double CD’s. The latest release , “Ireland’s First Lady Of Country Music” features the original album of that name, with her “Tribute To Buck Owens” live concert collection.
Songs on the 40 track collection include, “Once a Day”, “NeverEnding Love Affair”, “Noreen Bawn”, “Act Naturally” and “Crying Time”. There’s also tw o instrumentals from her band on the Owens CD.
She’a as popular as ever, and her fans will enjoy hearing her sing these songs again.
I’ve heard a lot about THE BENN SISTERS. Carrie & Leanne were born in London to parents from Co.Clare & Fermarnagh. “An Old Memory” is their second album, and is one of my favourites of the year so far.
Although one of Ireland’s most popular duo’s, they don’t appear to duet too often. Of the 14 tracks on the album, only two are duets between the sisters. There are other duets, with Carrie dueting with Shaun Loughrey on “Loose Talk” and Leanne teaming up with Nathan Carter on Dean Dillon’s “Still Got A Crush On You”.
The album features some good covers, with Allison Moorer’s “I Found A Letter”, Gretchen Wilson’s “When You Think About Cheating” and Loretta’s “Blue Kentucky Girl” standing out.
But there’s some good new material too. “We’re On Our Way To Heaven”, one of the girls duets, was written by Lawrence John, is my favourite track It’s a superb gospel flavoured hand clapping feel good song.
I also have to mention Carrie’s stunning version of “Connemara Marble Ring”. It’s a song that’s been recorded many times, but this version is just so beautifully performed.
I loved this album. Great stuff
www. Bennsisters.co.uk
SEAN WILSON has been one of the most popular Irish entertainers for many years. As with many other Irish acts, Sean’s versatility extends beyond Country music, but Country music is certainly a significant part of his repertoire.
“These Tender Years” (H&H Music) is his new double album collection, his first new release for four years, and he’s sounding as good as ever. The second CD is an accordian selection, with CD1 being “the country album”, which we’ll concentrate our review on.
There is an Irish sentimental feel to the album, as Sean’s fans have come to expect. You’ll find titles like “Shanagolden”, “It’s Really Nice To Meet Someone From Home”, “Sentimental Irish”, and the less than sentimental “Galway Girl”.
“Rosie” , which opens the CD, is the story of a traveller girl who was under privelliged and abused when she went to school. Rosie survived the trauma, and later returned to her childhood school as prinicpal teacher.
The title track is dedicated to mum’s everywhere, and was released as a single in the run up to Mothers day earlier this year.
There’s also a Country medley, one of Sean’s specialities, featuring “You’re My Best Friend”, “I’ll Need Someone To Hold Me when I Cry” and “I Wouldn’t Want To Live If You Didn’t Love Me”.
When you hear THE FOGHORN TRIO, you know you are listening to real bluegrass music. The trio feature Stephen “Sammy” Lind and Caleb Klauder , who were founding members of the original Foghorn String Band, who have teamed up with Quebec’s Nadine Landry, who certainly leaves her mark on the title track of their new album, “Sud de la Louisiane”.
With a lovely mix of banjo, fiddle, mandolin, bass and guitar, and some superb vocal harmonies, the trio take us on a music journey back to the music of Doc Watson, The Carter Family, and even Kitty Wells.
They have made no attempt to modernise any of the songs.
This is a truly authentic old time album- a delight to listen to.
The trio have recently been touring Ireland, and the South of England.
www. Foghornstringband.com
CIARA SIDINE is a singer songwriter from Dublin, who has just released her debut album “Shadow Road Shining”. It’s an album of haunting atmospheric self written songs, in the American roots tradition.
The 12 track album kicks off with the old timey flavoured “Riding Home”, and is a welcoming introduction to the album. The second track, “Take Me Down” , one of the catchier numbers on the album was released as a single a few months back.
Listen out for “The Arms Of Summer”, which is Ciara’s tribute to Johnny Cash.
The musicians on the album have played alongside The Waterboys, REM , Dylan and Van Morrison.
Who remembers DOTTSY ?
The Texan sweetheart was signed to RCA Records in Nashville, when she toured here with Moe Bandy and Roy Drusky back in the early Eighties. Since then, we’ve not heard much from her, but , she’s back, and is the latest name to appear on the Heart Of Texas label.
She hasn’t lost her rich deep, yet warming, vocals, as she revisits some of her old hits, including “I’ll Be Your San Antone Rose”, “Trying To Satisfy You”, “Storms Never Last” and “(After Sweet Memories) Play Born To Lose Again”.
She also cover’s Willie’s “Healing Hands Of Time”.
There’s also a duet with producer Justin Trevino on “We Talk About The Weather”, a soft ballad which suits both vocals well.
It was great to hear Dottsy again, Some nice memories , and some good new songs too.
After the Caithness Festival, I thought I’d maybe be all Tex’d out, but then I received an album from BLAINE GRAY. He has been billed as “the new face of traditional Country music”, and I have to say that I enjoyed this self titled album (Aaron Ave Records).
He co-wrote five of the songs with Bill Carnes , and one on his own, with others from the pens of the likes of Lane Turner, Bobby Randall and George Jones.
“The Corner Of Love And Life”, his new single, is one of favourite cuts, but I also liked “Why Baby Why”, which is not the George Jones classic, but nevertheless, a good uptempo catchy number. The Jones cover is “I’m Ragged But I’m Right”, on which he does a good job. “Life Without You”, has a bit of a Haggard feel to it, and there’s was a bit of a Strait sound to “Urban Cowboy Man”,
The first single “No More Cryin’” is featured in a forthcoming movie, “The Ex-Terminatoirs”, a romantic comedy, in which Blaine plays an ex to Heather Graham.
I’m sure, whether it’s music or movies, we’ll hear a lot more of Blaine Gray , and I hope it’s through his music.
www. Blainegray.com
It’s a long time since I heard anything from DES HORSFALL, one of England’s consistant Country rockers. Together with his band, KUSCHTY RYE, Des has come up with a beautifully packaged album called “The Good Gentleman’s Tonic” (Valve Analogue Recordings) , as a tribute to Ronnie Lane (of The Faces fame), and especially the period in the 70’s when Lane was working with the group, Slim Chance.
This isn’t an all out Country album, but there are Country influences blending in with folk, blues and pop.
Most of the songs are Horsfall originals, with “Nothing New”, with it’s uptempo Cajun beat being the stand out track for me, although I also liked “Little Girl” and the traditional “Careless Love”, which opened the album.
It does have more of a 70’s pop feel , but a good listen all the same
The album is packaged with a booklet, and even has a little refreshment included.
Despite her roots, “A New Dawn” is first album, and has been getting reaction everywhere from Shetland to Argentina.
Recorded in Donegal, the album has a lovely easy listening feel to it. She’s a big fan of Mary Chapin Carpenter, and has covered three of her less obvious songs, ”This Shirt”,”Haley Came To Jackson” and “Shut Up and Kiss Me”. She also covers Jessie Colter’s “I’m Not Lisa” , Anne Murray’s “You Needed Me” and Beth Neilsen Chapman’s “Sand & Water”.
The first single, and video, from the album, which has been featured on the “Hot Country” TV Show is a beautiful version of “When I Dream”. originally an early hit for Crystal Gayle.
“Restless Heart”, one of the strongest cuts on the album, was written by Ian Smith, from Kilmarnock, who also played acoustic guitar on the album. Ian co-wrote “Midnight Symphony” with Jacqui, and she wrote “Be My Valentine” on her own.
The album is really well produced, and Jacqui has chosen a nice set of songs which really compliment her vocal style, and the simple arrangements.
It is hard to pick a favourite, but her version of Tom Kimmel’s “If I Fell From Grace With You”, really clicks for me.
If you like the easy listening Anne Murray sound, then you’ll just love Jacqui Sharkey.
www. Jacquisharkey.com
SLANGE AVA are one of the North of Scotland's top groups, who will be hardly recognised in the Central belt. The Caithness quartet features Keith MacLeod , Donny Mathieson, Chris MacIntosh and Jim Davidson, featuring a musical mix of guitars, keyboards, drums and mandolin.
Last year they brought out a DVD recorded at the Lyth arts Centre, before they recorded a CD. Now the CD has arrived, and what they've done is to copy the live set in the DVD, but went into the studio to re-record the tracks, so the sound qualityis better, especially for radio play.
“From The DVD In Concert” (Pan Records), was recorded in Wick, and features 15 tracks.
The material ranges from the uptempo “Why You Been Gone So Long” and “Every Second” to Country classics like Haggard's “Back In Love By Monday”, and Nanci Griffith's “I Wish It Would Rain”. They do a great version of “In The Shadows Of My Mind”, and it's no surprise that their version of “Walking On The Moon” is one of their most popular songs.
There's a couple of nifty little mandolin instrumentals which are really catchy.
For those who haven't seen the band yet, I'd recommend giving this CD a listen, and spread their popularity beyond the Caithness border.
www.panrecords.co.uk
THE GRASCALS are something different in today’s Country music. They have taken Bluegrass music to the masses, and brought with them , a totally unique fresh sound to the Nashville scene.
Their latest album, “The Grascals & Friends” (Cracker Barrell), features some Country classics, with some classic artists, given the Grascals bluegrass twist.
You’ll find Brad Paisley doing his bit on Buck’s “Tiger By The Tail”, Tom T.Hall on his “Year Clayton Delaney Died”, Darryl Worley joining the band for “White Lightning”, and Charlie Daniels on the superb “Devil Went Down To Georgia”.
I loved the joining of The Grascals with The Oakridge Boys” for “Leaving Louisiana In The Broad Daylight”, but my favourite cut has to be “Pain Of Loving You” with Dolly.
Dolly also features on “I Am Strong” , a song inspired by their visit to St.Judes Childrens Hospital. There’s two versions on the song on the album, one with Dolly, and one with the cast, and more, of the album. It’s quite an anthem, and the video has been featured on a few of the Showcase TV shows.
It’s a real catchy foot tappin’ album.
A great listen.
LAURA CANTRELL is from Nashville, but lives in New York, where her iconic Radio Thrift Shop had a cult following (that even stretched to Radio Scotland for a summer season a few years back).
She is an admirer of the Country women who didn’t fint it as easy to break into the music scene as today’s pop princess’s do. One of these women would be Kitty Wells, of whom Laura’s latest CD is devoted. The album is released on the Glasgow based Shoeshine label.
The album kicks off with the title track, “ Kitty Wells Dresses”, which Laura co-wrote with Amy Allison, before treating us to some real memories, like “I Dont Claim To Be An Angel”, “Poison In Your Heart”, “I Cant Tell My Heart” and “I Gave My Wedding Dress Away”.
Of course, there’s “It Wasn’t God Who Made Honky Tonk Angels” and “Making Believe” too, but my favourite track has to be “One By One”, which is duet with Chuck Mead (of BR 5-49 fame).
These songs suit Laura’s lovely vocal style.
I really enjoyed the album , a beautiful tribute to Ms Wells, and great to hear Laura on song again.
www.shoeshine.co.uk
JOSH KELLEY is one of the new Country names to look out for in 2011.
The Georgia native isn’t new to the music business, however, having already charted 4 Top 100 Pop hits.
His music has featured in films, “Life As We Knew It”, “27 Dresses” and “The Ugly Truth”, which featured his actress wife, Katherine Heigl, best known for her part as Izzie in Grey’s Anatomy.
He is also the brother of Charles Kelley from the hit group Lady Antebellum.
But now Josh is making his mark on Country music , with the release back in April, of “Georgia Clay” (Hump Head) . The title track has already been a top 20 song for him in the Country charts.
The album features 11 tracks, all written, or co-written by the singer. The songs range from the uptempo “Rainin’ Whiskey” and “ Aint Letting Go” to the slow closing track, “Dont You Go”.
In between, I enjoyed “Baby Blue Eyes” and “Two Cups Of Coffee”.
Josh has a pleasent Country style, which should fit in fine with Nashville today.
I’m sure we’ll hear more from him,
It’s 19 years since TIM McGRAW first hit the Country charts, with a song called “Welcome To The Club”, which barely squeezed into the Country Top 50 chart. The next few releases didn’t even make the Top 50. But, how he’s made up for it since then.
He’s sold over 40 million album’s, and now Rhino Records have brought us a double CD, titled “Number One Hits” featuring no less than 24 of them , including “I Like it I Love it”, “Just To See You Smile” and his recent US hit “Felt Good On My Lips”.
Some of Tim’s best songs have been quite emotional ballads, like “Dont Take The Girl”, “Please Remember Me” and “Live Like You Were Dying”, which are all featured on this collection. There’s also the blockbuster duet, “It’s Your Love”, which features his wife, Faith Hill.
This is not the first collection of Tim’s hits, but, nevertheless a good collection , if you need to catch up with his hits.
GEORGE HAMILTON IV needs no introduction to Scottish fans. He has done it all throughout the years. I’ve seen him compere at Wembley, in a theatre setting telling us the Patsy Cline story, in church , and I’ve even seen him perform in prison (both of us just there for the gig, I hasten to add). But George has always been a pioneer. From starting the first Nashville tour of the stars homes, to the first Country music star to play behind the Iron Curtain, George has always been keen to broaden his horizons.
For his latest project, he’s headed for the Heart Of Texas, and teamed up with folks like recent Caithness Festival visitors Justin Trevino and Tony Booth, for what is a really refreshing album .
Hearing George accompanied with solid steel guitar licks, and tremendous twin fiddles, is a real transformation.
He’s covered some of his old numbers , like “Fort Worth, Dallas Or Houston”,”Truck Driving Man”, and “Abilene”, the latter, given a true Texas Country makeover, with Darrell McCall duet-ing.
Justin Trevino, who produced the album, teams up with George on the old Ernest Tubb number “There’s A Little Bit Of Everything In Texas”, and they keep the old ET style, whilst freshening it up a bit.
There’s sleevenotes from former Country Music People editor Tony Byworth, and DJ and Songwriter, Bill Mack, who wrote “Clinging To A Saving Hand”, which is featured on the album.
Great to hear George sounding so good !
Back to Ireland, where SUSAN McCANN has been at the forefront of Irish Country music, since 1977, and continues to play to loyal audiences live, and through her internet radio show (http://www.susanmccann.com/susans-radio-shows.htm).
In recent years, H&H Music have repackaged all her old vinyl albums onto double CD’s. The latest release , “Ireland’s First Lady Of Country Music” features the original album of that name, with her “Tribute To Buck Owens” live concert collection.
Songs on the 40 track collection include, “Once a Day”, “NeverEnding Love Affair”, “Noreen Bawn”, “Act Naturally” and “Crying Time”. There’s also tw o instrumentals from her band on the Owens CD.
She’a as popular as ever, and her fans will enjoy hearing her sing these songs again.
I’ve heard a lot about THE BENN SISTERS. Carrie & Leanne were born in London to parents from Co.Clare & Fermarnagh. “An Old Memory” is their second album, and is one of my favourites of the year so far.
Although one of Ireland’s most popular duo’s, they don’t appear to duet too often. Of the 14 tracks on the album, only two are duets between the sisters. There are other duets, with Carrie dueting with Shaun Loughrey on “Loose Talk” and Leanne teaming up with Nathan Carter on Dean Dillon’s “Still Got A Crush On You”.
The album features some good covers, with Allison Moorer’s “I Found A Letter”, Gretchen Wilson’s “When You Think About Cheating” and Loretta’s “Blue Kentucky Girl” standing out.
But there’s some good new material too. “We’re On Our Way To Heaven”, one of the girls duets, was written by Lawrence John, is my favourite track It’s a superb gospel flavoured hand clapping feel good song.
I also have to mention Carrie’s stunning version of “Connemara Marble Ring”. It’s a song that’s been recorded many times, but this version is just so beautifully performed.
I loved this album. Great stuff
www. Bennsisters.co.uk
SEAN WILSON has been one of the most popular Irish entertainers for many years. As with many other Irish acts, Sean’s versatility extends beyond Country music, but Country music is certainly a significant part of his repertoire.
“These Tender Years” (H&H Music) is his new double album collection, his first new release for four years, and he’s sounding as good as ever. The second CD is an accordian selection, with CD1 being “the country album”, which we’ll concentrate our review on.
There is an Irish sentimental feel to the album, as Sean’s fans have come to expect. You’ll find titles like “Shanagolden”, “It’s Really Nice To Meet Someone From Home”, “Sentimental Irish”, and the less than sentimental “Galway Girl”.
“Rosie” , which opens the CD, is the story of a traveller girl who was under privelliged and abused when she went to school. Rosie survived the trauma, and later returned to her childhood school as prinicpal teacher.
The title track is dedicated to mum’s everywhere, and was released as a single in the run up to Mothers day earlier this year.
There’s also a Country medley, one of Sean’s specialities, featuring “You’re My Best Friend”, “I’ll Need Someone To Hold Me when I Cry” and “I Wouldn’t Want To Live If You Didn’t Love Me”.
When you hear THE FOGHORN TRIO, you know you are listening to real bluegrass music. The trio feature Stephen “Sammy” Lind and Caleb Klauder , who were founding members of the original Foghorn String Band, who have teamed up with Quebec’s Nadine Landry, who certainly leaves her mark on the title track of their new album, “Sud de la Louisiane”.
With a lovely mix of banjo, fiddle, mandolin, bass and guitar, and some superb vocal harmonies, the trio take us on a music journey back to the music of Doc Watson, The Carter Family, and even Kitty Wells.
They have made no attempt to modernise any of the songs.
This is a truly authentic old time album- a delight to listen to.
The trio have recently been touring Ireland, and the South of England.
www. Foghornstringband.com
CIARA SIDINE is a singer songwriter from Dublin, who has just released her debut album “Shadow Road Shining”. It’s an album of haunting atmospheric self written songs, in the American roots tradition.
The 12 track album kicks off with the old timey flavoured “Riding Home”, and is a welcoming introduction to the album. The second track, “Take Me Down” , one of the catchier numbers on the album was released as a single a few months back.
Listen out for “The Arms Of Summer”, which is Ciara’s tribute to Johnny Cash.
The musicians on the album have played alongside The Waterboys, REM , Dylan and Van Morrison.
Who remembers DOTTSY ?
The Texan sweetheart was signed to RCA Records in Nashville, when she toured here with Moe Bandy and Roy Drusky back in the early Eighties. Since then, we’ve not heard much from her, but , she’s back, and is the latest name to appear on the Heart Of Texas label.
She hasn’t lost her rich deep, yet warming, vocals, as she revisits some of her old hits, including “I’ll Be Your San Antone Rose”, “Trying To Satisfy You”, “Storms Never Last” and “(After Sweet Memories) Play Born To Lose Again”.
She also cover’s Willie’s “Healing Hands Of Time”.
There’s also a duet with producer Justin Trevino on “We Talk About The Weather”, a soft ballad which suits both vocals well.
It was great to hear Dottsy again, Some nice memories , and some good new songs too.
After the Caithness Festival, I thought I’d maybe be all Tex’d out, but then I received an album from BLAINE GRAY. He has been billed as “the new face of traditional Country music”, and I have to say that I enjoyed this self titled album (Aaron Ave Records).
He co-wrote five of the songs with Bill Carnes , and one on his own, with others from the pens of the likes of Lane Turner, Bobby Randall and George Jones.
“The Corner Of Love And Life”, his new single, is one of favourite cuts, but I also liked “Why Baby Why”, which is not the George Jones classic, but nevertheless, a good uptempo catchy number. The Jones cover is “I’m Ragged But I’m Right”, on which he does a good job. “Life Without You”, has a bit of a Haggard feel to it, and there’s was a bit of a Strait sound to “Urban Cowboy Man”,
The first single “No More Cryin’” is featured in a forthcoming movie, “The Ex-Terminatoirs”, a romantic comedy, in which Blaine plays an ex to Heather Graham.
I’m sure, whether it’s music or movies, we’ll hear a lot more of Blaine Gray , and I hope it’s through his music.
www. Blainegray.com
It’s a long time since I heard anything from DES HORSFALL, one of England’s consistant Country rockers. Together with his band, KUSCHTY RYE, Des has come up with a beautifully packaged album called “The Good Gentleman’s Tonic” (Valve Analogue Recordings) , as a tribute to Ronnie Lane (of The Faces fame), and especially the period in the 70’s when Lane was working with the group, Slim Chance.
This isn’t an all out Country album, but there are Country influences blending in with folk, blues and pop.
Most of the songs are Horsfall originals, with “Nothing New”, with it’s uptempo Cajun beat being the stand out track for me, although I also liked “Little Girl” and the traditional “Careless Love”, which opened the album.
It does have more of a 70’s pop feel , but a good listen all the same
The album is packaged with a booklet, and even has a little refreshment included.
Friday, 15 April 2011
Apr 2011
RAUL MALO is still recognised as the voice of The Mavericks, which does ensure that he has a good following, even if his music has moved on a bit.
His latest album “Sinners & Saints”(Fantasy) was released the day after he appeared at Glasgow’s Celtic Connections, and features a wide mix of styles.
The title track opens the 11 track collection, with over two minutes of trumpet, before he arrives with vocals. It’s not Country, but, I doubt if Raul intended it to be. That’s followed by a rocky, and rather repetitive “Living For The Day”, before he woos the long time Maverick fans with a pacey, danceable “San Antonio Baby”, which is one of the stand out tracks on the album.
Other tracks in this vein, include the catchy “Superstar”, and the closing track “Better Off In Texas”, with Ray Benson.
He does a 6 minute version of Rodney Crowell’s “Til I Gain Control Again”, and a strong Englebert styled “Staying Here”.
The Spanish influence comes to the fore in “Sombras” and to a lesser extent on “Saint Behind The Glass”, and “Mrs Brown”
Raul is an aquired taste, but this is a strong album. Lots of latin overtones, but enough Tex-Mex to interest the hardened Country fan.
One of the best Country male voices over the best decade has to be BLAKE SHELTON. Now, marking 10 years on the charts , HumpHead release “Loaded: The Best Of Blake Shelton”, in the UK.
The 15 track collection kicks off with his 2001 debut No.1, “Austin”,the great romantic telephone answering machine song. Of course, the collection also features the popular linedance number, “Some Beach”, and the cult “Playboys Of The Southwestern World”.
All his hit ballads are here too. Titles like “Ol’Red”, “The Baby”, “Nobody But Me” and his latest American single “Who Are You When I’m Not Looking”
And there’s the more recent uptempo numbers like “All About Tonight”, “Hillbilly Bone”, and “Kick My Country Ass” too.
Added to that, there’s a 20 page booklet, with Blake’s comments on each song.
If you’ve missed out on Blake Shelton, this is a great collection to aquaint yourself with him.
Humphead have also released JOE NICHOL’s Greatest Hits collection , featuring 10 hits since he burst onto the scene in 2002.
The 34 year old from Arkansas, had a slow start in the business, and a couple of labels folded before he got going, but he made up things in 2003, when “Brokenheartsville” became a smash, and the rest, as they say, is history. Other hits followed , like ”Tequilla Makes Her Clothes Fall Off”, “The Impossible”, “Whats a Guy Gotta Do”, and the much sought after “I’ll Wait For You”, which got lots of video plays on the Hot Country TV series.
There’s some really good music in this collection. Like Blake Shelton, it’s a great album to catch up on one of the best Country acts of the century so far!
Coming home now, I really enjoyed Aberdeenshire’s KENNY WATSON’s first album, and he’s been quick to follow it with another. Like his first outing, “The Roots of My Raising” (Pan Records), is a bouncy easy listening set of popular covers, like Glen Campbell “Gentle On My Mind”, Charlie Rich’s “Behind Closed Doors”, Milsap’s “Back On My Mind Again” and of course, the title track, best known for the Hag’s version.
He comes a bit more up to date with “Love Me” (Collin Raye) and “Tonight We Might Just Fall In Love Again” (Hal Ketchum).
There’s a nice Irish feel to “Someone From Home”, written by Nick McCarthy , and featuring some nice accordian from Alistair MacDonald.
“Able Bodied Man” caught my attention, as a song I didn’t recognise. It’s a Charley Pryde song, but not one of the obvious ones. Kenny does a good version of it.
There’s an impressive list of players, including Keith MacLeod, Richard Nelson, Phil Anderson, Gordy Gunn,Stewart Shearer, Manson Grant and Robert Cameron.
The whole album is nice easy listening.It’s an album I really enjoyed.
www.panrecords.co.uk
Another homegrown release comes from Glasgow based SARA DOUGLAS, whose latest album “Rocket Shop” was recorded in Nashville.
Sara has quite a variety of styles, a strong vocal , and proves herself a strong songwriter as well, having written or co-written all but one of the songs.She has already supported the likes of Kevin Montgomery. Her band has only been together or a few months, but already getting noticed.
It’s not all Country. There’s folk and pop influences too, but the opening track “Jenny’s Song” is certainly Country enough to catch my attention.
On “Hoping”, Sarah delivers a strong Country ballad.
“The Beating Of My Heart” has a catchy beat, and although quite bluesy, does have a kinda Judds feel to it. The more uptempo “Tightrope Walking” also has a Judds influence to it.
The album’s closing track, “Shame, Shame,Shame” has quite a raunchy feel to it. It doesn’t sound like a Nashville recorded album, but I really liked her sound.
Last year LORETTA LYNN celebrated her 50th year in the business, and Humphead have released “The 50th Anniversary Collection” in her honour.
In that time, Loretta has notched up 16 Number One’s, had a movie about her life, and is still performing and recording today. Loretta picked up from Patsy Cline, her mentor, firmly establishing a place for women in Country music. She broke all the rules to hit the public with titles like “You Aint Woman Enough To Take My Man”, “Fist City” and “The Pill”, and enjoying hits like “Blue Kentucky Girl”, “Honky Tonk Girl”, “You’re Lookin’ at Country”, and “Don’t Come Home a Drinkin’ with Lovin’ on Your Mind”.
They’re all on this new double album collection – 36 tracks in total, including eight duets with Conway Twitty.
A great collection from Country music’s No. 1 lady of song.
THE SECRET SISTERS are Laura & Lydia Rogers, who hail from Muscle Shoals, Alabama. Their secret is out with the release of their self titled debut album (Universal).
They went Nashville to record this album, but went back to a bygone age, at the same time, to an era when harmony ruled, and no one can harmonise like sisters.
Classic, ‘old school’ recording equipment was also the rule of the day at the two week-long recording marathon. The album was recorded the same way it would have been recorded in the 1950s. No computers or digital equipment were even allowed near the sessions in an effort to capture the sisters’ stunning vocal prowess ‘as is.’ The production team and the girls utilized vintage microphones and ‘throwback’ recording techniques down to the same type of tape they would have used fifty years ago. “Some songs only took a few takes to capture,” says Lydia. “Often we’ve found we’re freshest on the first-take. The way we bounce off each other when singing also seems to give us a confidence to ‘go for it,’ even though this was our first time in a ‘real’ studio.”
The songs range from “Something Stupid” and “Do You Love an Apple” to country classics like “Why Baby Why”, “My Heart Skips A Beat” and “Why Don’t You Love Me Like You Used To Do”.
They also feature two self penned songs, the opening “Tennessee Me”, (released here as a single) and the lovely “Waste The Day”, a strong Country song, but with a unique 50’s feel to it. They also do a stunning version of Hank’s “House Of Gold”.
To some it may be more Andrews Sisters than Dixie Chicks, but it’s simplicity just shines so brightly, this album was just such a delight to listen to. They’re back on tour in May, including a date at Glasgow’s Oran Mor on the 3rd.
HAYES CARLL won over many fans with his debut album , “Trouble In Mind”. He came over as a modern day outlaw, with a couldn’t care less attitude. His “She Left Me For Jesus” won Song Of the Year at the Americana Music awards.
His new album, released here by Humphead, continues the same vein, whilst possibly being a bit more confrontational.
Take the title for starters. It’s KMAH YOYO, which if you cant work it out, stands for “Kiss my ass guys, you’re on your own”. The album kicks off with “Stomp And Holler”, which has the best potential for a hit amongst linedancers.
“The Lovin’ Cup” is a strong Country number, whilst “Bottle In My Hand” , which features Todd Snider and Canadian Corb Lund, and “Bye Bye Baby” both features some nice banjo.
The album features some quite rocky numbers,including “Hard Out Here” and the title track, whilst a bit quieter are “Chances Are”, “Grateful For Christmas” and Hide Me”.
My favourite track, although the lyrics are a shade risque, is “Another Like You”, which features, some catchy vocals from Cary Ann Hearst.
Hayes Carll is different. It’s certainly not mainstream Nashville, and not traditional.
He’s a modern day Outlaw.
When I recieved the next CD, I wasn’t too sure what to expect. Was her name really BETTY SOO ?
She’s real all right. An Asian-American singer songwriter, who comes from the same stable as Lucinda Williams, Slaid Cleaves and Mary Gauthier. She recorded her first album in 2005, and is now on her third full album.
“Heart Sin Water Skin” has just been released, and she plans to visit us later in the year.
The album was produced by Gurf Morlix, who appeared at last year’s Glasgow Americana festival.
Betty Soo’s sound is relaxing, self penned song material. The previously released “ Never The Pretty Girl” stands out, but the album is quite enjoyable throughout.
I really enjoyed “Next Big Thing”, with it’s steel guitar and fragile vocals, in a kind of Katy Mofffat way.
Betty Soo could well be the next big thing – look out for her !
KIMMIE RHODES is no stranger to UK audiences and she’ll be back in May for a tour that includes Glasgow’s CCA on the 14th. To coincide with the tour, the Texan has released “Dreams Of Flying” (Sunbird).
An accomplished songwriter, Kimmie wrote all but two of the tracks on the 11 track collection. One of the exceptions is a senseitivly worked version of Donovan’s “Catch The Wind”, on which she is joined by Joe Ely.
There’s also one written by her son Jeremie, whilst her other son Gabe produced the project.
Elsewhere, it’s all Kimmie, with a band of musicians who have worked previously with everyone from Dylan and The Dixie Chicks to The Eagles.
The whole album is a relaxing listen. The tracks that caught my attention, included “New Way Through”, with it’s soft southern Texan arrangements, and the title track.
Rodney Crowell cited Kimmie as “the soul of a poet and the voice of an angel”.
I cannot disagree with him.
CARRIE ELKIN is a new name to me, but I was very impressed by her new album, “Call It My Garden” (Red House) , which will be released April 11th, to coincide with a tour, which, sadly, doesn’t include any Scottish or Irish dates.
Carrie is something of a gypsy, having called Ohio, New Mexico, Boston and Colorado home. These days, Austin Texas is home, and her music is certainly within that city’s limits.
She has a unique bluegrass vocal style, and put it to best use, on an album of all her own songs (except one written by Dar Williams)
The album kicks off with the chirpy “Jesse Likes Birds”, which has already been a No.1 on the folk charts. I enjoyed the whole album, but I just loved the soft acoustic feel of “Land By The Sea”.
Carrie is like Nanci Griffith with a grown up voice.
I’m sure we’ve got more to hear from her.
www.carrieelkin.com
The next offering is a very enjoyable album from Indiana born AMY LASHLEY. “Travels Of A Homebody “ (Wannameker Records) was produced by her long time partner Otis Gibbs, and is released here on April 25th.
This is an album of rare American family values. Despite now resident in Tennessee, there’s no Nashville polish here, yet Amy manages to shine through, what the supprting publicity states is “light hearted stories of self-depreciation and doubt”.
All 12 songs were written by Amy, and with simple arrangements, I found this album such a pleasanr listen.
Standout tracks would by “Wrong Side Of Gallatin”, with its lilting melody , and the uptempo downhome “Livin’ On Beans And Cornbread”. I also enjoyed the softer “Kiss Indiana Goodbye”, which opensthe album.
Despite the language barrier, Country music is increasingly popular across Europe.
Unlike Britain, where there is no such barrier, an increasing number of European Country singers are making their mark.
ILSE DELANGE is not new to Country music. This Dutch singer songwriter is not new to Country music. She was signed to Warner Brothers in Nashville in 1998, and did get an album out of the deal.
A sensantion in her own country, Ilse is now making her mark in the UK, getting Radio 2 airplay, and a special UK CD release. “Isle DeLange” (Wrasse) features 13 tracks , from her two most recent Dutch releases, plus a live version of “World Of Hurt”, the title track to her Nashville label album.
She is still recording in Music City, although some of her vocals here, were recorded in Sweden !
Her sound is much more mainstream these days. If I hadn’t been aware of her background, I would’ve dismissed this as purely a pop album.
“So Incredible” does feature some nice banjo, and is really quite catchy, while “Beautiful Distraction” is a ballad, that fits in well with todays Country girls. I also really liked “Untouchable”, which has quite a soft Country arrangement.
The “Live” track is the most Country track on the album.
Tracks like “Puzzle Me” are just a shade too “Eurovision” for my liking, but “Carousel”, although a bit poppy, has a strong beat that I really enjoyed.
Ilse has a superb vocal talent, but, I’m afraid, she doesn’t have the Country feel that she once had.
Staying in Europe, I have previously sung the praises of the talent in our northern neighbours in The Faroe Islands.
Now, let me introduce you to their newest star. 29 year old EVI had never sung in public before her own wedding last August, but is now making up for lost time.
The two tracks are both well known covers, but Evi does really good jobs on The Louvins “How’s The World Treating You”, and Jim Reeves “He’ll Have To Go”.
Recorded in her homeland, the production is excellent, and the simple arrangements really make Evi’s voice shines through. I hope there’s a full album soon.
http://evidjurhuus.com
His latest album “Sinners & Saints”(Fantasy) was released the day after he appeared at Glasgow’s Celtic Connections, and features a wide mix of styles.
The title track opens the 11 track collection, with over two minutes of trumpet, before he arrives with vocals. It’s not Country, but, I doubt if Raul intended it to be. That’s followed by a rocky, and rather repetitive “Living For The Day”, before he woos the long time Maverick fans with a pacey, danceable “San Antonio Baby”, which is one of the stand out tracks on the album.
Other tracks in this vein, include the catchy “Superstar”, and the closing track “Better Off In Texas”, with Ray Benson.
He does a 6 minute version of Rodney Crowell’s “Til I Gain Control Again”, and a strong Englebert styled “Staying Here”.
The Spanish influence comes to the fore in “Sombras” and to a lesser extent on “Saint Behind The Glass”, and “Mrs Brown”
Raul is an aquired taste, but this is a strong album. Lots of latin overtones, but enough Tex-Mex to interest the hardened Country fan.
One of the best Country male voices over the best decade has to be BLAKE SHELTON. Now, marking 10 years on the charts , HumpHead release “Loaded: The Best Of Blake Shelton”, in the UK.
The 15 track collection kicks off with his 2001 debut No.1, “Austin”,the great romantic telephone answering machine song. Of course, the collection also features the popular linedance number, “Some Beach”, and the cult “Playboys Of The Southwestern World”.
All his hit ballads are here too. Titles like “Ol’Red”, “The Baby”, “Nobody But Me” and his latest American single “Who Are You When I’m Not Looking”
And there’s the more recent uptempo numbers like “All About Tonight”, “Hillbilly Bone”, and “Kick My Country Ass” too.
Added to that, there’s a 20 page booklet, with Blake’s comments on each song.
If you’ve missed out on Blake Shelton, this is a great collection to aquaint yourself with him.
Humphead have also released JOE NICHOL’s Greatest Hits collection , featuring 10 hits since he burst onto the scene in 2002.
The 34 year old from Arkansas, had a slow start in the business, and a couple of labels folded before he got going, but he made up things in 2003, when “Brokenheartsville” became a smash, and the rest, as they say, is history. Other hits followed , like ”Tequilla Makes Her Clothes Fall Off”, “The Impossible”, “Whats a Guy Gotta Do”, and the much sought after “I’ll Wait For You”, which got lots of video plays on the Hot Country TV series.
There’s some really good music in this collection. Like Blake Shelton, it’s a great album to catch up on one of the best Country acts of the century so far!
Coming home now, I really enjoyed Aberdeenshire’s KENNY WATSON’s first album, and he’s been quick to follow it with another. Like his first outing, “The Roots of My Raising” (Pan Records), is a bouncy easy listening set of popular covers, like Glen Campbell “Gentle On My Mind”, Charlie Rich’s “Behind Closed Doors”, Milsap’s “Back On My Mind Again” and of course, the title track, best known for the Hag’s version.
He comes a bit more up to date with “Love Me” (Collin Raye) and “Tonight We Might Just Fall In Love Again” (Hal Ketchum).
There’s a nice Irish feel to “Someone From Home”, written by Nick McCarthy , and featuring some nice accordian from Alistair MacDonald.
“Able Bodied Man” caught my attention, as a song I didn’t recognise. It’s a Charley Pryde song, but not one of the obvious ones. Kenny does a good version of it.
There’s an impressive list of players, including Keith MacLeod, Richard Nelson, Phil Anderson, Gordy Gunn,Stewart Shearer, Manson Grant and Robert Cameron.
The whole album is nice easy listening.It’s an album I really enjoyed.
www.panrecords.co.uk
Another homegrown release comes from Glasgow based SARA DOUGLAS, whose latest album “Rocket Shop” was recorded in Nashville.
Sara has quite a variety of styles, a strong vocal , and proves herself a strong songwriter as well, having written or co-written all but one of the songs.She has already supported the likes of Kevin Montgomery. Her band has only been together or a few months, but already getting noticed.
It’s not all Country. There’s folk and pop influences too, but the opening track “Jenny’s Song” is certainly Country enough to catch my attention.
On “Hoping”, Sarah delivers a strong Country ballad.
“The Beating Of My Heart” has a catchy beat, and although quite bluesy, does have a kinda Judds feel to it. The more uptempo “Tightrope Walking” also has a Judds influence to it.
The album’s closing track, “Shame, Shame,Shame” has quite a raunchy feel to it. It doesn’t sound like a Nashville recorded album, but I really liked her sound.
Last year LORETTA LYNN celebrated her 50th year in the business, and Humphead have released “The 50th Anniversary Collection” in her honour.
In that time, Loretta has notched up 16 Number One’s, had a movie about her life, and is still performing and recording today. Loretta picked up from Patsy Cline, her mentor, firmly establishing a place for women in Country music. She broke all the rules to hit the public with titles like “You Aint Woman Enough To Take My Man”, “Fist City” and “The Pill”, and enjoying hits like “Blue Kentucky Girl”, “Honky Tonk Girl”, “You’re Lookin’ at Country”, and “Don’t Come Home a Drinkin’ with Lovin’ on Your Mind”.
They’re all on this new double album collection – 36 tracks in total, including eight duets with Conway Twitty.
A great collection from Country music’s No. 1 lady of song.
THE SECRET SISTERS are Laura & Lydia Rogers, who hail from Muscle Shoals, Alabama. Their secret is out with the release of their self titled debut album (Universal).
They went Nashville to record this album, but went back to a bygone age, at the same time, to an era when harmony ruled, and no one can harmonise like sisters.
Classic, ‘old school’ recording equipment was also the rule of the day at the two week-long recording marathon. The album was recorded the same way it would have been recorded in the 1950s. No computers or digital equipment were even allowed near the sessions in an effort to capture the sisters’ stunning vocal prowess ‘as is.’ The production team and the girls utilized vintage microphones and ‘throwback’ recording techniques down to the same type of tape they would have used fifty years ago. “Some songs only took a few takes to capture,” says Lydia. “Often we’ve found we’re freshest on the first-take. The way we bounce off each other when singing also seems to give us a confidence to ‘go for it,’ even though this was our first time in a ‘real’ studio.”
The songs range from “Something Stupid” and “Do You Love an Apple” to country classics like “Why Baby Why”, “My Heart Skips A Beat” and “Why Don’t You Love Me Like You Used To Do”.
They also feature two self penned songs, the opening “Tennessee Me”, (released here as a single) and the lovely “Waste The Day”, a strong Country song, but with a unique 50’s feel to it. They also do a stunning version of Hank’s “House Of Gold”.
To some it may be more Andrews Sisters than Dixie Chicks, but it’s simplicity just shines so brightly, this album was just such a delight to listen to. They’re back on tour in May, including a date at Glasgow’s Oran Mor on the 3rd.
HAYES CARLL won over many fans with his debut album , “Trouble In Mind”. He came over as a modern day outlaw, with a couldn’t care less attitude. His “She Left Me For Jesus” won Song Of the Year at the Americana Music awards.
His new album, released here by Humphead, continues the same vein, whilst possibly being a bit more confrontational.
Take the title for starters. It’s KMAH YOYO, which if you cant work it out, stands for “Kiss my ass guys, you’re on your own”. The album kicks off with “Stomp And Holler”, which has the best potential for a hit amongst linedancers.
“The Lovin’ Cup” is a strong Country number, whilst “Bottle In My Hand” , which features Todd Snider and Canadian Corb Lund, and “Bye Bye Baby” both features some nice banjo.
The album features some quite rocky numbers,including “Hard Out Here” and the title track, whilst a bit quieter are “Chances Are”, “Grateful For Christmas” and Hide Me”.
My favourite track, although the lyrics are a shade risque, is “Another Like You”, which features, some catchy vocals from Cary Ann Hearst.
Hayes Carll is different. It’s certainly not mainstream Nashville, and not traditional.
He’s a modern day Outlaw.
When I recieved the next CD, I wasn’t too sure what to expect. Was her name really BETTY SOO ?
She’s real all right. An Asian-American singer songwriter, who comes from the same stable as Lucinda Williams, Slaid Cleaves and Mary Gauthier. She recorded her first album in 2005, and is now on her third full album.
“Heart Sin Water Skin” has just been released, and she plans to visit us later in the year.
The album was produced by Gurf Morlix, who appeared at last year’s Glasgow Americana festival.
Betty Soo’s sound is relaxing, self penned song material. The previously released “ Never The Pretty Girl” stands out, but the album is quite enjoyable throughout.
I really enjoyed “Next Big Thing”, with it’s steel guitar and fragile vocals, in a kind of Katy Mofffat way.
Betty Soo could well be the next big thing – look out for her !
KIMMIE RHODES is no stranger to UK audiences and she’ll be back in May for a tour that includes Glasgow’s CCA on the 14th. To coincide with the tour, the Texan has released “Dreams Of Flying” (Sunbird).
An accomplished songwriter, Kimmie wrote all but two of the tracks on the 11 track collection. One of the exceptions is a senseitivly worked version of Donovan’s “Catch The Wind”, on which she is joined by Joe Ely.
There’s also one written by her son Jeremie, whilst her other son Gabe produced the project.
Elsewhere, it’s all Kimmie, with a band of musicians who have worked previously with everyone from Dylan and The Dixie Chicks to The Eagles.
The whole album is a relaxing listen. The tracks that caught my attention, included “New Way Through”, with it’s soft southern Texan arrangements, and the title track.
Rodney Crowell cited Kimmie as “the soul of a poet and the voice of an angel”.
I cannot disagree with him.
CARRIE ELKIN is a new name to me, but I was very impressed by her new album, “Call It My Garden” (Red House) , which will be released April 11th, to coincide with a tour, which, sadly, doesn’t include any Scottish or Irish dates.
Carrie is something of a gypsy, having called Ohio, New Mexico, Boston and Colorado home. These days, Austin Texas is home, and her music is certainly within that city’s limits.
She has a unique bluegrass vocal style, and put it to best use, on an album of all her own songs (except one written by Dar Williams)
The album kicks off with the chirpy “Jesse Likes Birds”, which has already been a No.1 on the folk charts. I enjoyed the whole album, but I just loved the soft acoustic feel of “Land By The Sea”.
Carrie is like Nanci Griffith with a grown up voice.
I’m sure we’ve got more to hear from her.
www.carrieelkin.com
The next offering is a very enjoyable album from Indiana born AMY LASHLEY. “Travels Of A Homebody “ (Wannameker Records) was produced by her long time partner Otis Gibbs, and is released here on April 25th.
This is an album of rare American family values. Despite now resident in Tennessee, there’s no Nashville polish here, yet Amy manages to shine through, what the supprting publicity states is “light hearted stories of self-depreciation and doubt”.
All 12 songs were written by Amy, and with simple arrangements, I found this album such a pleasanr listen.
Standout tracks would by “Wrong Side Of Gallatin”, with its lilting melody , and the uptempo downhome “Livin’ On Beans And Cornbread”. I also enjoyed the softer “Kiss Indiana Goodbye”, which opensthe album.
Despite the language barrier, Country music is increasingly popular across Europe.
Unlike Britain, where there is no such barrier, an increasing number of European Country singers are making their mark.
ILSE DELANGE is not new to Country music. This Dutch singer songwriter is not new to Country music. She was signed to Warner Brothers in Nashville in 1998, and did get an album out of the deal.
A sensantion in her own country, Ilse is now making her mark in the UK, getting Radio 2 airplay, and a special UK CD release. “Isle DeLange” (Wrasse) features 13 tracks , from her two most recent Dutch releases, plus a live version of “World Of Hurt”, the title track to her Nashville label album.
She is still recording in Music City, although some of her vocals here, were recorded in Sweden !
Her sound is much more mainstream these days. If I hadn’t been aware of her background, I would’ve dismissed this as purely a pop album.
“So Incredible” does feature some nice banjo, and is really quite catchy, while “Beautiful Distraction” is a ballad, that fits in well with todays Country girls. I also really liked “Untouchable”, which has quite a soft Country arrangement.
The “Live” track is the most Country track on the album.
Tracks like “Puzzle Me” are just a shade too “Eurovision” for my liking, but “Carousel”, although a bit poppy, has a strong beat that I really enjoyed.
Ilse has a superb vocal talent, but, I’m afraid, she doesn’t have the Country feel that she once had.
Staying in Europe, I have previously sung the praises of the talent in our northern neighbours in The Faroe Islands.
Now, let me introduce you to their newest star. 29 year old EVI had never sung in public before her own wedding last August, but is now making up for lost time.
The two tracks are both well known covers, but Evi does really good jobs on The Louvins “How’s The World Treating You”, and Jim Reeves “He’ll Have To Go”.
Recorded in her homeland, the production is excellent, and the simple arrangements really make Evi’s voice shines through. I hope there’s a full album soon.
http://evidjurhuus.com
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